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Harvey Keitel (b. 1939)

Alias:
Гарві Кейтель
Харви Кейтель
هارفي كيتل
ハーヴェイ・カイテル
哈維·凱托
哈维·凯特尔
하비 카이텔

Birthplace:
Brooklyn, New York City, New York, USA

Born:
May 13, 1939

Biography from TheMovieDB

Harvey Keitel (born May 13, 1939) is an American actor known for his portrayal of morally ambiguous and "tough guy" characters. He rose to prominence during the New Hollywood movement, and has held a long-running association with director Martin Scorsese, starring in six of his films: Who's That Knocking at My Door (1967), Mean Streets (1973), Alice Doesn't Live Here Anymore (1974), Taxi Driver (1976), The Last Temptation of Christ (1988), and The Irishman (2019).  Keitel received the Academy Award for Best Supporting Actor nomination for his portrayal of Mickey Cohen in Bugsy (1991). He won the AACTA Award for Best Actor in a Leading Role for The Piano (1993). Other films include Blue Collar (1978), Thelma & Louise (1991), Reservoir Dogs (1992), Bad Lieutenant (1992), Pulp Fiction (1994), From Dusk till Dawn (1996), Holy Smoke! (1998), Cop Land (1997), and Youth (2015).  He has acted in the Wes Anderson films Moonrise Kingdom (2012), The Grand Budapest Hotel (2014), and Isle of Dogs (2018). He played FBI Agent Peter Sadusky in both National Treasure (2004), and National Treasure: Book of Secrets (2006) and reprised his role in the Disney+ series National Treasure: Edge of History (2022). From 1995 to 2017, he was a co-president of the Actors Studio, alongside Al Pacino and Ellen Burstyn.  Description above from the Wikipedia article Harvey Keitel, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Additional information:

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Film Performances

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Film Production

Co-Producer:
1992  Reservoir Dogs

Executive Producer:
1992  Reservoir Dogs
1995  Blue in the Face
1999  Three Seasons
2001  The Grey Zone

Producer:
1992  Reservoir Dogs
1995  Blue in the Face
1999  Three Seasons
2001  The Grey Zone
2003  Dreaming of Julia

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TV Performances

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.