A work in constant progress (and occasional regress).
Release Date:
April 19, 1991
Original Title:
Mortal Thoughts
Alternate Titles:
L'Ombra Del Testimone
Mördande vänskap
Pensamientos mortales
Θανάσιμες Σκέψεις
致命思想
Genres:
Mystery | Thriller
Production Companies:
Columbia Pictures
New Visions Pictures
Polar Entertainment Corporation
Rufglen Films
Production Countries:
United States of America
Ratings / Certifications:
CZ: U DE: 16 SE: 15 US: R
Runtime: 104
A loathsome man ends up dead, but it's not clear who's to blame. If ever a person got what he deserved, it's James Urbanksi, an abusive drunk who steals from his wife, Joyce, and promises her close friend Cynthia Kellogg that she'll be the next target of his rage. At a group outing, James bleeds to death after someone cuts his throat. But because he's such a terrible human being, police aren't sure which of his acquaintances decided to kill him.
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Art Direction:
Bob Shaw
Chief Lighting Technician:
Sam Bender
Co-Producer:
Demi Moore
Costume Design:
Hope Hanafin
Director:
Alan Rudolph
Director of Photography:
Elliot Davis
Editor:
Tom Walls
Executive Producer:
Taylor Hackford
Stuart Benjamin
First Assistant Director:
Robert V. Girolami
Hair Department Head:
Francesca Paris
Line Producer:
Joseph M. Caracciolo Jr.
Makeup Artist:
Janet Flora
Scott H. Eddo
Original Music Composer:
Mark Isham
Producer:
Mark Tarlov
John Fiedler
Production Design:
Howard Cummings
Second Assistant Director:
Jane Paul
Second Unit Director:
Greg Walker
Second Unit Director of Photography:
Alec Hirschfeld
Set Decoration:
Beth Kushnick
Sound Mixer:
Gary Alper
Sound Re-Recording Mixer:
E. Larry Oatfield
Mark Berger
Steadicam Operator:
Ted Churchill
Stunt Coordinator:
Greg Walker
Stunt Double:
Janet Paparazzo
Marguerite Happy
Supervising Sound Editor:
Richard King
Utility Stunts:
Steve Mack
Phil Neilson
Norman Douglass
Michael Russo
Rick Seaman
Writer:
William Reilly
Claude Kerven
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.