A work in constant progress (and occasional regress).
Release Date:
July 30, 1993
Original Title:
Rising Sun
Alternate Titles:
Blodröd Sol
Die Wiege der Sonne
Izlazece sunce
Rising Sun
Sol Nascente
Sol levante
Sol naciente
Soleil levant
Solen stiger
Vycházející slunce
Восходящее солнце
旭日追兇
Genres:
Action | Drama | Thriller
Production Companies:
20th Century Fox
Walrus & Associates
Production Countries:
United States of America
Ratings / Certifications:
AU: MA15+ CZ: 12+ DE: 16 FR: TP GB: 18 HU: 16 KR: 15 PT: M16 US: R
Runtime: 125
When a prostitute is found dead in a Los Angeles skyscraper occupied by a large Japanese corporation, detectives John Connor and Web Smith are called in to investigate. Although Connor has previous experience working in Japan, cultural differences make their progress difficult until a security disc showing the murder turns up. Close scrutiny proves the disc has been doctored, and the detectives realize they're dealing with a cover-up as well.
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ADR Supervisor:
Hugh Waddell
Art Direction:
Angelo P. Graham
Assistant Art Director:
Alex Tavoularis
James J. Murakami
Assistant Editor:
Robert Grahamjones
Tara Timpone
Best Boy Electric:
Vincent Contarino
Frank Tobin
Best Boy Grip:
Michael T. Travers
Boom Operator:
Steve Bowerman
Cableman:
Kevin E. Patterson
Camera Loader:
Nick Shuster
Camera Operator:
Michael Genne
Casting:
Donna Isaacson
Chief Lighting Technician:
Jono Kouzouyan
Color Timer:
Dennis McNeill
Construction Coordinator:
John J. Rutchland Jr.
Costume Design:
Jacqueline West
Costume Supervisor:
Bruce R. Hogard
Craft Service:
Jamie Kehoe
Dialogue Editor:
Teresa Eckton
Dianna Stirpe
Ewa Sztompke
Director:
Philip Kaufman
Director of Photography:
Michael Chapman
Dolly Grip:
Charles W. Wayt
Editor:
Stephen A. Rotter
William S. Scharf
Executive Producer:
Sean Connery
First Assistant Camera:
Jamie Barber
First Assistant Director:
Matthew Carlisle
Foley Artist:
Dennie Thorpe
Foley Supervisor:
Robert Shoup
Hair Supervisor:
Yolanda Toussieng
Hairstylist:
Kim Santantonio
Sue Love
Key Costumer:
Alison Gail Bixby
Gina Wingate
Alan Martin
Key Grip:
Sandy Williams
Key Rigging Grip:
Larry J. Aube
Leadman:
Don Kaeding
Greg Lynch
Line Producer:
Ian Bryce
Location Manager:
John Panzarella
James McCabe
Makeup Artist:
John Blake
Makeup Supervisor:
Ve Neill
Music Editor:
Alan Splet
Negative Cutter:
Gary Burritt
Novel:
Michael Crichton
Original Music Composer:
Toru Takemitsu
Post Production Accountant:
Kimberly Jase
Producer:
Peter Kaufman
Production Accountant:
Vicki Dee Rock
Production Design:
Dean Tavoularis
Property Master:
Douglas T. Madison
Rigging Gaffer:
R. Bruce Prochal
Screenplay:
Michael Crichton
Michael Backes
Philip Kaufman
Script Supervisor:
Karen Golden
Second Assistant Camera:
John T. Connor
Second Assistant Director:
Frank Davis
Second Second Assistant Director:
Lucille OuYang
Set Decoration:
Gary Fettis
Set Designer:
Peter J. Kelly
Robert C. Goldstein
Sound Designer:
Alan Splet
Sound Effects Editor:
Ann Kroeber
John Verbeck
Frank E. Eulner
Sound Mixer:
David MacMillan
Sound Re-Recording Mixer:
Tom Johnson
Marian Wallace
Richard Beggs
Special Effects Supervisor:
Larry L. Fuentes
Standby Painter:
Francis N. 'Lucky' Costello
Still Photographer:
Sidney Ray Baldwin
Stunt Coordinator:
Jeff Imada
Stunts:
Janet Brady
Eugene Collier
Dick Warlock
Ronnie Rondell Jr.
Jack Gill
Roy K. Ogata
Denney Pierce
Buddy Joe Hooker
Frank Ferrara Sr.
Leo Lee
Transportation Captain:
Lee Garibaldi
Transportation Coordinator:
Tommy Tancharoen
Unit Production Manager:
Ian Bryce
Unit Publicist:
Peter Haas
Visual Effects Producer:
Gail Currey
Visual Effects Supervisor:
Mark A.Z. Dippé
Wardrobe Designer:
Giorgio Armani
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.