A work in constant progress (and occasional regress).
Release Date:
July 31, 1998
Original Title:
Full Tilt Boogie
Genres:
Documentary | Horror
Production Companies:
L. Driver Productions Inc
Miramax
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 97
A documentary about the production of From Dusk Till Dawn (1996) and the people who made it.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Additional First Assistant Camera:
Rocker Meadows
Dan Venti
Additional Photography:
Dale Hall Jr
Additional Sound Re-Recording Mixer:
Ken Teaney
Juan Peralta
Marshall Garlington
Associate Producer:
Mark Friedman
Color Timer:
Bob Fredrickson
Director:
Sarah Kelly
Director of Photography:
Christopher Gallo
Editor:
Lauren Zuckerman
First Assistant Camera:
Michael Anthony Ashe
First Assistant Editor:
Ed Santiago
Michael Brandt
Music Editor:
Cary Berger
Matthew C. Beville
Music Supervisor:
Lonnie Sill
Tom Eaton
Negative Cutter:
Joy Rencher
Original Music Composer:
Dominic Kelly
Cary Berger
Post Production Coordinator:
Tim Talbott
Jaqueline Liebman-Gentile
April Blair
Alexandra Norberg
Post Production Supervisor:
Lawrence Siroky
Dale Hall Jr
Michael Brandt
Producer:
Rana Joy Glickman
Production Manager:
Joshua Zeman
Maeve Mannion
Second Assistant Camera:
Katherine Vahan
Sound:
Ken Ahern
Sound Director:
Dan Ortiz
Sound Editor:
William Jacobs
Harry B. Miller III
Sound Re-Recording Mixer:
Ed Carr
Dennis Patterson
Supervising Sound Editor:
Charles Ewing Smith
Title Designer:
Catherine Lorenz
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.