A work in constant progress (and occasional regress).
Release Date:
April 20, 2000
Original Title:
U-571
Alternate Titles:
U 571
U-571
U-571 - Mission im Atlantik
U-571, το Χαμένο Υποβρύχιο
Подводная лодка U-571
猎杀U-571
Genres:
Action | Adventure | War
Production Companies:
Cinecittà Studios
StudioCanal
The De Laurentiis Company
Universal Pictures
Production Countries:
France | Italy | United States of America
Ratings / Certifications:
AU: M BR: 14 CH: 16 CZ: 12+ DE: 16 DK: 15 FR: TP GB: 12 HU: 12 IE: 12 IT: T NL: 12 US: PG-13
Runtime: 116
In the midst of World War II, the battle under the sea rages and the Nazis have the upper hand as the Allies are unable to crack their war codes. However, after a wrecked U-boat sends out an SOS signal, the Allies realise this is their chance to seize the 'enigma coding machine'.
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ADR Editor:
Petra Bach
Michele Perrone
Aerial Coordinator:
Dana Kristen Vahle
Armorer:
Jon Baker
Art Department Coordinator:
Annick Biltresse
Irene Mifsud-Bonnici
Art Direction:
Maria Teresa Barbasso
Robert Woodruff
Marco Trentini
Assistant Costume Designer:
Donna Berwick
Stefano De Nardis
Claudio Manzi
Assistant Editor:
Liberata Zocchi
Karen Dimmig
Boom Operator:
Andrea Dallimonti
Donald Banks
Camera Operator:
Gianmaria Majorana
Vincenzo Carpineta
Daniele Massaccesi
Fabio Zamarion
Casting:
Carol Lewis
Kate Dowd
Gail Stevens
Casting Associate:
Sara Lewis
Choreographer:
Leontine Snell
Construction Coordinator:
Fernando Valento
Costume Design:
April Ferry
Costume Supervisor:
Augusto Grassi
Dialogue Editor:
Robert Troy
Digital Effects Supervisor:
Thomas J. Smith
David Sosalla
Director:
Jonathan Mostow
Director of Photography:
Oliver Wood
Editor:
Wayne Wahrman
First Assistant Editor:
Gordon Antell
Foley:
Edward Steidele
Jerry Trent
Foley Editor:
Donald Sylvester
Miguel Rivera
Gaffer:
James B. Crawford
Antonio Gasbarini
Hairstylist:
Paola Genovese
Giancarlo De Leonardis
Frances Mathias
Elisabetta De Leonardis
Mauro Tamagnini
Key Grip:
Michael T. Travers
Bruno Colanzi
Key Makeup Artist:
Luigi Rocchetti
Lead Animator:
Jamie Dixon
Lighting Technician:
David Farrugia
Makeup Artist:
Maurizio Silvi
Vincenzo Mastrantonio
Renato Francola
Marine Coordinator:
Lance Julian
Original Music Composer:
Richard Marvin
Pilot:
Ezio Canesso
Monica Amadori
Producer:
Dino De Laurentiis
Martha De Laurentiis
Production Design:
William Ladd Skinner
Götz Weidner
Production Sound Mixer:
Ivan Sharrock
Property Master:
Antonio Fraulo
Roto Supervisor:
Erin M. Cullen
Screenplay:
David Ayer
Sam Montgomery
Script Supervisor:
Cheryl Starbuck
Dianne Dreyer
Second Unit Director of Photography:
Rexford L. Metz
Set Decoration:
Robert Gould
Cynthia Sleiter
Sound Designer:
Keith Bilderbeck
Tim Gedemer
Sandy Gendler
Sound Effects Editor:
Angelo Palazzo
Charles Maynes
Sound Re-Recording Mixer:
Steve Maslow
Gregg Landaker
Rick Kline
Sound Recordist:
Frank Fleming
Special Effects Coordinator:
Allen Hall
Special Effects Supervisor:
Marc Banich
Richard O. Helmer
Still Photographer:
Mario Tursi
Stunt Double:
Mark Norby
Stunts:
Pat Romano
Supervising ADR Editor:
Val Kuklowsky
Supervising Sound Editor:
Jon Johnson
Tailor:
Vittorio Torrieri
Underwater Camera:
Aldo Chessari
Visual Effects Art Director:
Lubo Hristov
Visual Effects Coordinator:
Henric Nieminen
Sandy DellaMarie
Visual Effects Editor:
Tommy Dorsett
Shawn Broes
Visual Effects Producer:
David Dwiggins
Darin McCormick-Millett
Visual Effects Supervisor:
Richard O. Helmer
Mark Freund
Thad Beier
Peter Donen
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.