A work in constant progress (and occasional regress).
Release Date:
March 19, 1993
Original Title:
Point of No Return
Alternate Titles:
A Assassina
The Assassin
双面女蝎星
Genres:
Action | Crime | Thriller
Production Companies:
The Linson Company
Warner Bros. Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 14 CZ: 15+ DE: 18 FR: 12 GB: 18 HU: 16 IE: 18 JP: R15+ KR: 18 PT: M/16 US: R
Runtime: 108
Hardened criminal Maggie Hayward's consistent violence, even in police custody, ends in the execution chamber. However, top-secret US government agent 'Bob' arranges a staged death, so Maggie can be elaborately trained as a phantom killer and subdued into obedience.
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Art Direction:
Sydney Z. Litwack
Associate Producer:
David Sosna
D. J. Caruso
Camera Operator:
Richard Tim Vanik
Randy Nolen
Ronald E. High
Casting:
Bonnie Timmermann
Casting Associate:
Sandra Luckow
Co-Producer:
James Herbert
Construction Coordinator:
Joseph C. Fama
Costume Design:
Marlene Stewart
Director:
John Badham
Director of Photography:
Michael W. Watkins
Editor:
Frank Morriss
First Assistant Director:
David Sosna
Hairstylist:
Toni-Ann Walker
Makeup Artist:
Lizbeth Williamson
Makeup Effects:
R. Christopher Biggs
Original Music Composer:
Hans Zimmer
Original Story:
Luc Besson
Producer:
Art Linson
Production Design:
Philip Harrison
Production Manager:
James Herbert
Screenplay:
Robert Getchell
Alexandra Seros
Script Supervisor:
Susan Malerstein
Second Assistant Director:
Carla McCloskey
Ronald Chong
Set Decoration:
Julia Badham
Set Designer:
Roger G. Fortune
James R. Bayliss
Sally Thornton
Sound Mixer:
Willie D. Burton
Sound Re-Recording Mixer:
Franklin Jones Jr.
Special Effects Coordinator:
Ken Pepiot
Stunt Coordinator:
Mic Rodgers
Stunt Double:
Cheryl Wheeler Duncan
Annie Ellis
George Giordano
Stunts:
Joyce McNeal
R.A. Rondell
Szumai Anderson
Keith Tellez
Shane Dixon
Manny Perry
Ronnie Rondell Jr.
Danny Wynands
Henry Kingi
Supervising Sound Editor:
Solange S. Schwalbe
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.