A work in constant progress (and occasional regress).
Release Date:
August 15, 1997
Original Title:
Cop Land
Alternate Titles:
Cop Land: A Cidade dos Tiras
CopLand
Tierra de policías
Полицейские
地頭龍(1997)
캅랜드
Genres:
Crime | Drama | Thriller
Production Companies:
Across the River Productions
Miramax
Woods Entertainment
Production Countries:
United States of America
Ratings / Certifications:
BE: 18 CA: R CH: 16 CZ: U DE: 12 DK: 15 ES: 18 FI: K-18 FR: U GR: 16 HU: 16 IE: 18 KR: 12 NL: 16 PL: 16 SE: 15 US: R|NR
Runtime: 104
Freddy Heflin is the sheriff of a place everyone calls “Cop Land” — a small and seemingly peaceful town populated by the big city police officers he’s long admired. Yet something ugly is taking place behind the town’s peaceful facade. And when Freddy uncovers a massive, deadly conspiracy among these local residents, he is forced to take action and make a dangerous choice between protecting his idols and upholding the law.
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"A" Camera Operator:
Lukasz Jogalla
ADR Editor:
Kenton Jakub
Art Direction:
Wing Lee
Assistant Accountant:
John 'JR' Craigmile
Assistant Art Director:
Charles E. McCarry
Nicholas Lundy
Assistant Property Master:
James R. Bilz
Assistant Set Decoration:
Lisa Nilsson
Harriet Zucker
Associate Producer:
Richard Miller
Kevin King Templeton
Christopher Goode
Best Boy Grip:
Pedro Hernández
Boom Operator:
Linda Murphy
Casting:
Todd M. Thaler
Casting Associate:
Gayle Keller
Co-Producer:
Kerry Orent
Color Timer:
Mark Ginsberg
Construction Coordinator:
Glen Pangione
Costume Design:
Ellen Lutter
Dialogue Editor:
Magdaline Volaitis
Fred Rosenberg
Director:
James Mangold
Director of Photography:
Eric Alan Edwards
Dolly Grip:
Dustin Smith
Editor:
Craig McKay
Executive In Charge Of Production:
Tracy Lee McGrath
Executive Producer:
Bob Weinstein
Harvey Weinstein
Meryl Poster
Extras Casting:
Meredith Jacobson Marciano
First Assistant Camera:
Richard Rutkowski
First Assistant Director:
Vebe Borge
First Assistant Editor:
May Kuckro
Foley Artist:
Marko Costanzo
Foley Editor:
Jac Rubenstein
Frank Kern
Steven Visscher
Kam Chan
Foley Supervisor:
Bruce Pross
Graphic Designer:
Addison Pettit
Greensman:
Amy Safhay
Hairstylist:
Ilona Herman
Joseph Coscia
Judi Goodman
Key Grip:
Gary Martone
Key Hair Stylist:
Francesca Paris
Key Makeup Artist:
Michele Paris
Lori Hicks
Leadman:
Gus Papadopoulos
Makeup Artist:
Steven Lawrence
Judy Lovell
Scott H. Eddo
Music Editor:
David Carbonara
Music Supervisor:
Michelle Kuznetsky Silverman
Mary Ramos
On Set Dresser:
Jeffrey Rollins
Original Music Composer:
Howard Shore
Post Production Coordinator:
Andrew Zolot
Post Production Supervisor:
Anthony Gore
Producer:
Cathy Konrad
Ezra Swerdlow
Cary Woods
Production Accountant:
Kathi Scharer
Production Design:
Lester Cohen
Production Supervisor:
Craig Markey
Michele Carmel Long
Property Master:
Sandy Hamilton
Script:
Valerie Desjardins
Script Supervisor:
Wendy Lee Roberts
Second Assistant Camera:
Adam Gilmore
Second Assistant Director:
Rebecca Strickland
Christopher Swartout
Second Second Assistant Director:
Amy Lynn
Marlene Arvan
Second Unit Director:
Henry Alex Rubin
Second Unit Director of Photography:
Igor Sunara
Set Decoration:
Karin Wiesel
Set Dresser:
David Scott Gagnon
Michael Leather
Alan Muzeni
Sound Effects Designer:
Ron Bochar
Sound Effects Editor:
Lewis Goldstein
Glenfield Payne
Sound Mixer:
Allan Byer
Sound Re-Recording Mixer:
Reilly Steele
Special Effects Supervisor:
Wilfred Caban
Steadicam Operator:
Rick Raphael
Still Photographer:
Sam Emerson
Stunt Coordinator:
Jery Hewitt
Stunt Double:
Mark De Alessandro
Stunts:
Danny Aiello III
Ashley Cusato
Jalil Jay Lynch
Roy Farfel
Supervising Sound Editor:
Philip Stockton
Trainee Production Coordinator:
Roger M. Bobb
Transportation Captain:
Kevin Keefe
Transportation Co-Captain:
Kevin Flynn
Henry S. Avelin
Underwater Director of Photography:
Pete Romano
Unit Production Manager:
Christopher Goode
Video Assist Operator:
Bob Balzarini
Wardrobe Supervisor:
Roseann Milano
Lynne Maureen Curtis
Writer:
James Mangold
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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