A work in constant progress (and occasional regress).
Release Date:
September 10, 1994
Original Title:
Pulp Fiction
Alternate Titles:
Fiction pulpeuse
Lubene
Makulatura
Pulp Fiction - Chronological Cut
Pulp Fiction - Tarinoita väkivallasta
Pulp Fiction: Historky z podsvetia
Sifrut Zolla
Sund
Tiempos Violentos
parup fikusyon
μυθοπλασία πολτού
Евтини приказни
Кримiнальне чтиво
Криминальное чтиво
Петпарачке приче
पल्प फिक्शन
เขย่าชีพจรเกินเดือด
低俗小说
危險人物
黑色追緝令
펄프 픽션
Genres:
Crime | Thriller
Production Companies:
A Band Apart
Jersey Films
Miramax
Production Countries:
United States of America
Ratings / Certifications:
AR: 18 AU: R 18+ BE: 18 BR: 18 CA: 18A CH: 16 CL: 18|14 CZ: 15+|18+ DE: 16 DK: 15 ES: 18 FI: 18 FR: 16 GB: 18 GR: 16 HK: III HU: 18 IE: 18 IT: VM18 JP: R15+|PG12 KR: 18 LT: N-16 MX: C NL: 16 NO: 18 NZ: 18 PE: 18 PH: R-18 PL: 15 PT: M/16 RU: 18+ SE: 15 SG: R21 TR: 18+ TW: R-18 US: R
Runtime: 154
A burger-loving hit man, his philosophical partner, a drug-addled gangster's moll and a washed-up boxer converge in this sprawling, comedic crime caper. Their adventures unfurl in three stories that ingeniously trip back and forth in time.
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1998 #95 |
100 Years: 100 MOVIES
100 Greatest American Movies Of All Time |
2001 #53 |
100 Years: 100 THRILLS
100 Most Thrilling American Films |
2007 #94 |
100 Years: 100 MOVIES — 10TH ANNIVERSARY EDITION
100 Greatest American Films Of All Time |
2008 #7 |
Top 10: GANGSTER
10 Greatest GANGSTER Films of All Time |
ADR Mixer:
Jeff Courtie
ADR Voice Casting:
Barbara Harris
Art Department Coordinator:
Emily Wolfe
Art Direction:
Charles Collum
Assistant Accountant:
Zane
Assistant Art Director:
Samantha Gore
Assistant Costume Designer:
Mary Claire Hannan
Assistant Craft Service:
Michael Haddad
Assistant Decorator:
Liz Chiz
Assistant Editor:
Donald Likovich
Assistant Location Manager:
John A. Johnston
Assistant Music Supervisor:
Kristen Becht
Billy Gottlieb
Assistant Production Coordinator:
Cheryl Cain
Assistant Property Master:
John Felgate
Assistant Sound Editor:
Dana Gustafson
Best Boy Electric:
Anthony Hall
Best Boy Grip:
Robbie Meckler
Boom Operator:
Larry Scharf
Camera Loader:
Angelo de la Cruz
Camera Operator:
Michael Levine
Carpenter:
Gary L. Brennan
Casting:
Ronnie Yeskel
Gary M. Zuckerbrod
Jeff Olan
Casting Associate:
Ruth Lambert
Charge Scenic Artist:
Chris L. Winslow
Co-Executive Producer:
Bob Weinstein
Richard N. Gladstein
Harvey Weinstein
Color Timer:
Mike Stanwick
Construction Coordinator:
Brian Markey
Construction Foreman:
Ray Maxwell
Costume Design:
Betsy Heimann
Costume Supervisor:
Jacqueline Aronson
Costumer:
Kristin Dangl
Craft Service:
Derek Hurd
Director:
Quentin Tarantino
Director of Photography:
Andrzej Sekula
Dolly Grip:
Alan Parr
Driver:
Alonzo Brown Jr.
Editor:
Sally Menke
Editorial Staff:
Andrew Dickler
Electrician:
Bruce Jagoda
Executive Producer:
Michael Shamberg
Stacey Sher
Danny DeVito
First Assistant Camera:
Ziad Doueiri
First Assistant Director:
Francis R. Mahony III
First Assistant Editor:
Tatiana S. Riegel
Foley Artist:
Catherine Rowe
Foley Mixer:
Ezra Dweck
Gaffer:
Vance Trussell
Graphic Designer:
Chris Cullen
Grip:
Chris Ahern
Hair Designer:
Iain Jones
Hairstylist:
Linda Arnold
Key Grip:
Mark Shane Davis
Key Hair Stylist:
Audrey Futterman-Stern
Key Rigging Grip:
Michael Stocks
Lead Painter:
Marc Gillson
Leadman:
Peter Borck
Location Assistant:
Haley Sweet
Location Scout:
Adam Silver
Makeup Artist:
Michelle Bühler
Makeup Effects:
Thomas L. Bellissimo
Music Consultant:
Chuck Kelley
Music Coordinator:
Mary Ramos
Music Editor:
Rolf Johnson
Music Supervisor:
Karyn Rachtman
Kathy Nelson
Painter:
Giuseppe Maini III
Post Production Assistant:
Ben Parker
Post Production Coordinator:
Kara Mazzola
Post Production Supervisor:
Heidi Vogel
Producer:
Lawrence Bender
Production Coordinator:
Anna-Lisa Nilsson
Production Design:
David Wasco
Production Manager:
Paul Hellerman
Production Secretary:
Bradley Morris
Production Sound Mixer:
Ken King
Property Master:
Jonathan R. Hodges
Rigging Gaffer:
Marc Meisenheimer
Screenplay:
Quentin Tarantino
Script Supervisor:
Martin Kitrosser
Second Assistant Camera:
Gregory C. Smith
Second Assistant Director:
Kelly Kiernan
Second Second Assistant Director:
John W. Hyde Jr.
Security:
Ruben Cortez
Set Costumer:
Patia Prouty
Set Decoration:
Sandy Reynolds-Wasco
Set Designer:
Daniel Bradford
Set Dressing Artist:
Joseph W. Grafmuller
Set Production Assistant:
Iain Jones
Sound:
Rick Ash
Sound Editor:
Dean Beville
Sound Recordist:
Matthew C. Beville
Special Effects Assistant:
Andrew Ambrose
Kevin McTurk
Special Effects Coordinator:
Larry Fioritto
Special Effects Technician:
Kevin McTurk
Stand In:
Cameron
Rory Dauson
Steadicam Operator:
Bob Gorelick
Story:
Quentin Tarantino
Roger Avary
Stunt Coordinator:
Ken Lesco
Stunt Double:
Terry Jackson
Stunts:
Cameron
Supervising ADR Editor:
Judee Flick
Supervising Sound Editor:
Stephen Hunter Flick
Swing:
Steve Ingrassia
Thanks:
Jennifer Beals
Cathryn Jaymes
Lou Arkoff
Agnès B.
Emanuel Steward
Lee Stollman
Bill Unger
Linda R. Chen
Mike Simpson
Scott Spiegel
Stephen Martines
Ricardo Mestres
Transportation Coordinator:
Derek Raser
Unit Publicist:
Deborah Wuliger
Wigmaker:
Bill Fletcher
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.