A work in constant progress (and occasional regress).
Release Date:
May 24, 1991
Original Title:
Thelma & Louise
Alternate Titles:
Thelma & Louise
Thelma and Louise
Thelma et Louise
Thelma ja Louise
Thelma und Louise
Thelma y Louise
Телма и Луиз
塞尔玛与路易丝
末路狂花
델마와 루이스
Genres:
Adventure | Crime | Drama | Thriller
Production Companies:
Metro-Goldwyn-Mayer
Pathé Entertainment
Scott Free Productions
Star Partners III Ltd.
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AU: M BR: 12 DE: 16 FR: TP GB: 15 HU: 16 IE: 15 KR: 18 NL: 12 PT: M/16 US: R
Runtime: 130
Whilst on a short weekend getaway, Louise shoots a man who had tried to rape Thelma. Due to the incriminating circumstances, they make a run for it and thus a cross country chase ensues for the two fugitives. Along the way, both women rediscover the strength of their friendship and surprising aspects of their personalities and self-strengths in the trying times.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
2001 #76 |
100 Years: 100 THRILLS
100 Most Thrilling American Films |
2003 #24 |
100 Years: 100 HEROES & VILLAINS
50 Greatest Heroes “Thelma Dickerson & Louise Sawyer” |
2006 #78 |
100 Years: 100 CHEERS
100 Most Inspiring Films Of All Time |
ADR Editor:
John Poyner
Aerial Coordinator:
Robert 'Bobby Z' Zajonc
Aerial Director of Photography:
David B. Nowell
Art Direction:
Lisa Dean
Assistant Art Director:
Michael Hirabayashi
Best Boy Electrician:
Paul Amorelli
Boom Operator:
Timothy P. Salmon
Camera Operator:
Michael Scott
Alexander Witt
Casting:
Louis DiGiaimo
Casting Associate:
Ira Belgrade
Chief Lighting Technician:
Tom Cox
Co-Producer:
Dean O'Brien
Callie Khouri
Construction Coordinator:
Richard J. Bayard
Construction Foreman:
Jim Olson
Mark Vitale
Roger M. Janson
Scott Snyder
Costume Design:
Elizabeth McBride
Dialect Coach:
Tim Monich
Director:
Ridley Scott
Director of Photography:
Adrian Biddle
Dolly Grip:
R. Scott Judge
Brad Rea
Editor:
Thom Noble
First Assistant Director:
Steve Danton
Greensman:
Robert Butch Samarzich
Grip:
Kevin Kennedy
Erich O. Rose
David Canestro
Bob Miyamoto
Hairstylist:
Leslie Ann Anderson
Anthony Cortino
Karl Wesson
Key Costumer:
Taneia Lednicky
Key Grip:
Bob Rose
Leadman:
Kenneth Turek
Makeup Artist:
Bonita DeHaven
Richard Arrington
Music Editor:
Laura Perlman
Music Supervisor:
Kathy Nelson
Original Music Composer:
Hans Zimmer
Painter:
Gary Clark
Pilot:
Don Hildebrand
Producer:
Ridley Scott
Mimi Polk Gitlin
Production Coordinator:
Christine Baer
Production Design:
Norris Spencer
Production Sound Mixer:
Keith A. Wester
Property Master:
Vic Petrotta Jr.
Screenplay:
Callie Khouri
Script Supervisor:
Luca Kouimelis
Second Assistant Director:
B. Scott Senechal
Second Unit Director:
Bobby Bass
Set Costumer:
Janet Powell
Nisa Kellner
Set Decoration:
Anne H. Ahrens
Set Designer:
Alan S. Kaye
Sound Effects Editor:
Bob Risk
Sound Re-Recording Mixer:
Graham V. Hartstone
Special Effects Coordinator:
Stan Parks
Special Effects Technician:
Kevin Quibell
Tim Moran
Martin J. Gibbons
Paul Stewart
Still Photographer:
Roland Neveu
Stunt Coordinator:
Bobby Bass
Stunt Double:
Glory Fioramonti
Marguerite Happy
Diane Kay Grant
Stunt Driver:
Tommy J. Huff
Stunts:
Dick Ziker
Ronnie Rondell Jr.
Gregory J. Barnett
John C. Meier
Steve Boyum
Mike Ryan
Kenny Endoso
Bennie Moore
Billy D. Lucas
Bob Dewitt
Terry Collis
David Webster
Billy Hank Hooker
Norman Howell
Anne Melville
David Burton
Tony Epper
Buddy Joe Hooker
Mary Peters
Supervising Sound Editor:
Jim Shields
Title Designer:
Anthony Goldschmidt
Unit Production Manager:
Dean O'Brien
Mel Dellar
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.