A work in constant progress (and occasional regress).
Release Date:
November 12, 1976
Original Title:
Welcome to L.A.
Genres:
Drama | Music | Romance
Production Companies:
Lion's Gate Films
United Artists
Production Countries:
United States of America
Ratings / Certifications:
DE: 12 US: R
Runtime: 106
The lives of a group of Hollywood neurotics intersect over the Christmas holidays. Foremost among them, a songwriter visits Los Angeles to work on a singer's album. The gig, unbeknownst to him, is being bankrolled by his estranged father, a dairy magnate, who hopes to reunite with his son. When the songwriter meets an eccentric housewife who fancies herself a modern-day Garbo, his world of illusions comes crashing down.
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Assistant Camera:
Tony Rivetti Sr.
Assistant Director:
Tommy Thompson
Assistant Editor:
Mark Eggenweiler
Associate Producer:
Scott Bushnell
Robert Eggenweiler
Camera Operator:
John Bailey
Costume Assistant:
Mary Elizabeth Still
Costume Supervisor:
Jules Melillo
Director:
Alan Rudolph
Director of Photography:
David Myers
Editor:
William A. Sawyer
Tom Walls
Executive In Charge Of Production:
Tommy Thompson
First Assistant Camera:
Jan Kiesser
Randall Robinson
Key Grip:
Harry Rez
Makeup Artist:
Monty Westmore
Original Music Composer:
Richard Baskin
Other:
J. Allen Highfill
Producer:
Robert Altman
Property Master:
Dennis J. Parrish
Scoring Mixer:
Dan Wallin
Second Assistant Director:
Tony Bishop
Set Decoration:
Dennis J. Parrish
Sound:
Chris McLaughlin
James E. Webb
Sound Effects Editor:
Richard Oswald
Sound Re-Recording Mixer:
Richard Portman
Sound Recordist:
Michael Galloway
Title Designer:
Dan Perri
Writer:
Alan Rudolph
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.