A work in constant progress (and occasional regress).
Release Date:
July 15, 2004
Original Title:
I, Robot
Alternate Titles:
Az, robotŭt
Egó, to Rompót
I Robot
I, Robot - 3D
I,Robot
Ja, robot
Mən, Robot
YA, Robot
YA, robot
Yo, robot
我,机器人
智能叛变
智能叛變
机械公敌
Genres:
Action | Science Fiction
Production Companies:
20th Century Fox
Canlaws Productions
Davis Entertainment
Laurence Mark Productions
Mediastream Vierte Film GmbH & Co. Vermarktungs KG
Overbrook Entertainment
Production Countries:
Germany | United States of America
Ratings / Certifications:
AU: M BE: 16 BR: 10 CA: PG CH: 12 CZ: 15+ DE: 12 DK: 15 FI: K-12 FR: U GB: 12A GR: 13 HU: 12 IE: 12 IT: T KR: 12 LT: N-7 MX: B NL: 12 NO: 11 År PL: 16 PT: M/12 RO: 12 RU: 12+ SE: 11 TW: 普遍級 US: PG-13
Runtime: 115
In 2035, where robots are commonplace and abide by the three laws of robotics, a technophobic cop investigates an apparent suicide. Suspecting that a robot may be responsible for the death, his investigation leads him to believe that humanity may be in danger.
2D Sequence Supervisor:
G.G. Heitmann Demers
3D Supervisor:
Susie Kleis
ADR Engineer:
Derek Casari
ADR Mixer:
Charleen Richards-Steeves
ADR Recordist:
Marc Hayes
ADR Supervisor:
Michael Haight
Additional Editing:
Neil Travis
Additional Music:
Buck Sanders
Aerial Coordinator:
Michael Franck
Animal Coordinator:
Dana Dubé
Animation Coordinator:
Clare Burgess
Animation Supervisor:
Andrew R. Jones
Animation Technical Director:
William Dwelly
Art Department Assistant:
Jaydene Maryk
Art Department Coordinator:
Franziska Keller
Art Direction:
Helen Jarvis
Chris August
Assistant Accountant:
Colette Jost
Assistant Art Director:
Kendelle Elliott
Assistant Chef:
Melanie Donohue
Assistant Costume Designer:
Jana MacDonald
Assistant Director:
Sam Harris
Assistant Editor:
Alexander Garcia
Assistant Location Manager:
Jason Collier
Assistant Makeup Artist:
Tamar Ouziel
Assistant Property Master:
Antonio Germinario
Associate Editor:
Matt Villa
Associate Producer:
John Kilkenny
Best Boy Electric:
Robert Hicks
Best Boy Grip:
J. Norman Earle
Boom Operator:
Jeff MacFarlane
CG Artist:
Wes Sargent
Nicholas Boughen
CG Supervisor:
Guy Williams
Greg Butler
Dan Lemmon
Camera Trainee:
Dave Ashcroft
Carpenter:
Tor Baxter
Casting:
Juel Bestrop
Heike Brandstatter
Jeanne McCarthy
Coreen Mayrs
Casting Assistant:
James McKenzie Moore
Casting Associate:
Blythe Cappello
Casting Consultant:
Billy DaMota
Casting Coordinator:
Errin Lally
Chef:
Bob Bedard
Co-Producer:
Steven R. McGlothen
Color Timer:
Jim Passon
Compositing Lead:
Jean Lapointe
Joe Farrell
Compositing Supervisor:
Erik Winquist
Sonja Burchard
Conceptual Design:
Howard Lau
Conceptual Illustrator:
Milena Zdravkovic
Construction Buyer:
G. Scott Stewart
Construction Coordinator:
Thom Wells
Construction Foreman:
Jim Birkel
Costume Coordinator:
Janice Swayze
Costume Design:
Liz Keogh
Costume Set Supervisor:
Michelle Baines
Costumer:
Cathy Darby
Craft Service:
Violet Barisoff
Creature Design:
Patrick Tatopoulos
Data Wrangler:
Scott Edelstein
Dialogue Editor:
Dave Kulczycki
Susan Dawes
Digital Compositor:
Lou Pecora
Digital Compositors:
Ted Andre
Digital Effects Producer:
Dan Foster
Digital Effects Supervisor:
John Andrew Berton Jr.
Digital Intermediate:
Phil Greig
Digital Intermediate Colorist:
Skip Kimball
Digital Producer:
Lisa Spence
Director:
Alex Proyas
Director of Photography:
Simon Duggan
Dolly Grip:
Daryl Hartwell
Driver:
Lawrence Albright
Editor:
Armen Minasian
William Hoy
Richard Learoyd
Electrician:
Cliff Cenerini
Executive Producer:
James Lassiter
Will Smith
Anthony Romano
Michel Shane
First Assistant Accountant:
Kathy Edwards
First Assistant Camera:
Paul Taylor
First Assistant Editor:
Liza D. Espinas
First Assistant Makeup Artist:
Tanya Howard
First Assistant Production Coordinator:
Danny McNair
First Assistant Property Master:
Michelle Hendriksen
First Assistant Sound Editor:
Galen Goodpaster
Foley:
Stu Bernstein
Foley Artist:
Dawn Fintor
Foley Mixer:
David Betancourt
Foley Supervisor:
John Murray
Gaffer:
John Adams
General Manager:
Matt Bauer
Generator Operator:
Mick Gray
Graphic Designer:
Sally Hudson
Grip:
Doug Reid
Hair Department Head:
Angelina P. Cameron
Hairstylist:
Pierce Austin
Head of Production:
Jeff Swenty
Helicopter Camera:
Ralph Mendoza
Key Hair Stylist:
Katalin Lippay
Key Rigging Grip:
Gene Keigher
Key Set Production Assistant:
Vincent Dela Luna
Lead Painter:
Janette Hyland
Leadman:
Eldon Coney
Libra Head Technician:
Christopher Walsh
Lighting Artist:
Tohda Asuka
Lighting Technician:
Cam Esau
Loader:
Allison Beda
Location Manager:
Al Nolan-Cohn
Location Production Assistant:
Dustin Bouchard
Location Scout:
Mark Gamache
Makeup Artist:
Leah Ehman
Makeup Department Head:
Stan Edmonds
Makeup Effects:
Harlow MacFarlane
Motion Capture Artist:
Valy Lungoccia
Music Arranger:
Tom Brown
Music Editor:
Alex Gibson
Negative Cutter:
Gary Burritt
Novel:
Isaac Asimov
Original Music Composer:
Marco Beltrami
Painter:
Sheila Thomas
Mark N. Tompkins
Payroll Accountant:
Jill Anderson
Playback Coordinator:
Darren Robertson
Post Production Assistant:
Bailee Reid
Post Production Coordinator:
Chris McClintock
Post Production Supervisor:
Patrick Esposito
Post-Production Manager:
Anet Hambarsumian
Pre-Visualization Coordinator:
Lisa Turner
Producer:
John Davis
Topher Dow
Laurence Mark
Wyck Godfrey
Michael Lee Baron
Production Accountant:
Maureen 'Mo' Crutchfield
Production Assistant:
Nazima Nagdee
Evan Allen
Production Coordinator:
Penny Rogers
Production Design:
Patrick Tatopoulos
Production Driver:
Bruce Scott
Production Executive:
Michael Taylor
Production Manager:
Mary Guilfoyle
Production Supervisor:
Eric Fox Hays
Property Master:
Dan Sissons
Prosthetic Supervisor:
Bill Terezakis
Researcher:
Karam Khan
Rigging Gaffer:
Rod Feldmeier
Rigging Grip:
George Raymond Carter
Rotoscoping Artist:
Anne Ritter
Scenic Artist:
John B. Keys
Score Engineer:
Bill Talbott
Screenplay:
Jeff Vintar
Akiva Goldsman
Screenstory:
Jeff Vintar
Script Coordinator:
Stephanie Kate Mitchell
Script Supervisor:
Shelley Crawford
Sculptor:
Melanie Cassidy
Seamstress:
Summer Eves
Second Assistant Camera:
Sam Jones
Second Assistant Director:
Paul Barry
Second Assistant Production Coordinator:
Spencer Hon Lui
Second Assistant Sound:
Blake R. Cornett
Second Second Assistant Director:
Tracey Poirier
Second Unit Director:
Scott J. Ateah
Security:
Terence Chase
Security Coordinator:
Larry Woodhouse
Senior Animator:
Elisabeth Arko
Set Costumer:
Tamaryn Lang
Set Decorating Coordinator:
Lee Campbell
Set Decoration:
Lin MacDonald
Set Decoration Buyer:
Michael Webb
Set Designer:
Michael Elkan
Set Dressing Artist:
Tim Dagley
Software Engineer:
Shane Cooper
Sound:
Matt Willoughby-Price
Sound Assistant:
Greg Hewett
Sound Designer:
Erik Aadahl
Craig Berkey
Sound Effects Editor:
Jay Wilkinson
Sound Mixer:
James Kusan
Sound Re-Recording Mixer:
Paul Massey
Sound Recordist:
Tim Gomillion
Special Effects Assistant:
Beck Carver
Special Effects Coordinator:
Mike Vézina
Special Effects Technician:
Douglas W. Beard
Stand In:
Andre Blair
Steadicam Operator:
David Crone
Still Photographer:
Ava Gerlitz
Story Editor:
Marc Marcum
Storyboard Artist:
James Doh
Stunt Coordinator:
Scott J. Ateah
Glenn Boswell
Stunt Double:
Monique Ganderton
Christopher Gordon
Stunt Driver:
Claire Webb
Stunts:
Brett Armstrong
Owen Walstrom
Alette Falle
Carolyn Anderson
Clint Carleton
David Mylrea
Lauro David Chartrand-DelValle
Doug Chapman
Rikki Gagne
Jeff Sanca
Steven McMichael
Anthony David Moyer
Ronald Robinson
Ray Pichette
Sharon Simms
Phillip Mitchell
Rick Pearce
Marny Eng
Crystal Dalman
Peter Cox
Loyd Bateman
Ed Anders
Supervising Sound Editor:
John A. Larsen
Swing:
Wilton Higgins
Systems Administrators & Support:
Bill Ryder
Tailor:
Savino Peragine
Technical Advisor:
Ron Blecker
Telecine Colorist:
Jill Allanson
Third Assistant Director:
David R. Baron
Transportation Captain:
Robert Buxton
Transportation Co-Captain:
Shawn Henter
Transportation Coordinator:
Rob Vreugde
Travel Coordinator:
Jill Armstrong
Truck Costumer:
Andre Brouwer
Underwater Camera:
Ian Seabrook
Unit Production Manager:
Barbara Kelly
Unit Publicist:
Toni Atterbury
VFX Editor:
Jeff Beattie
VFX Lighting Artist:
Hanzhi Tang
Video Assist Operator:
George Collins
Visual Development:
Jerome Platteaux
Visual Effects:
Michael Leung
Neacol Booth
Visual Effects Coordinator:
Charlene Eberle Douglas
Visual Effects Producer:
Sandra Almond
Visual Effects Production Assistant:
Tom Core
Visual Effects Production Manager:
Ryan Stafford
Visual Effects Supervisor:
Dale Fay
John Nelson
Joe Letteri
Erik Nash
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.