A work in constant progress (and occasional regress).
Lou Pecora is an American visual effects artist. Since he began his career in 1996, he's been involved in several projects. As a visual effects artist, he creates visual effects and animation, taking video that's shot on a green screen, then digitally duplicating it into a scene. He occasionally gets to go on set, but most of the work is done in front of the computer. He has been nominated for an Academy Award in the category Best Visual Effects for the film X-Men: Days of Future Past.
Compositing Artist:
2000 How the Grinch Stole Christmas
2013 Iron Man 3
Compositing Supervisor:
2000 How the Grinch Stole Christmas
2007 Pirates of the Caribbean: At World's End
2008 The Mummy: Tomb of the Dragon Emperor
2009 Star Trek
2009 Transformers: Revenge of the Fallen
2011 Transformers: Dark of the Moon
2013 Iron Man 3
Digital Compositor:
2000 How the Grinch Stole Christmas
2002 Star Trek: Nemesis
2002 The Time Machine
2003 Looney Tunes: Back in Action
2004 I, Robot
2005 Stealth
2006 Flags of Our Fathers
2006 Letters from Iwo Jima
2007 Pirates of the Caribbean: At World's End
2008 The Mummy: Tomb of the Dragon Emperor
2009 Star Trek
2009 Transformers: Revenge of the Fallen
2011 Transformers: Dark of the Moon
2013 Iron Man 3
Visual Effects Supervisor:
2000 How the Grinch Stole Christmas
2002 Star Trek: Nemesis
2002 The Time Machine
2003 Looney Tunes: Back in Action
2004 I, Robot
2005 Stealth
2006 Flags of Our Fathers
2006 Letters from Iwo Jima
2007 Pirates of the Caribbean: At World's End
2008 The Mummy: Tomb of the Dragon Emperor
2009 Star Trek
2009 Transformers: Revenge of the Fallen
2011 Transformers: Dark of the Moon
2013 Iron Man 3
2014 X-Men: Days of Future Past
2017 Spider-Man: Homecoming
2019 Lucy in the Sky
2020 Black Bear
2022 Darby and the Dead
2024 Marmalade
Visual Effects Supervisor:
2014 Fargo
2017 Legion
2022 Paper Girls
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.