Danny McNair

Gallery Unavailable

Alias:
Danny Mcnair

Birthplace:
Toronto, Ontario, Canada

Danny McNair is an award-winning senior visual effects artist known for I, Robot (2004), Four Brothers (2005) and Killjoys (2015).

Additional information:

The Search Form


Assistant Production Coordinator:
2001  Out Cold
2001  Saving Silverman
2002  Video Voyeur: The Susan Wilson Story
2005  Chaos
2007  In the Land of Women

First Assistant Production Coordinator:
2001  Out Cold
2001  Saving Silverman
2002  Video Voyeur: The Susan Wilson Story
2004  I, Robot
2005  Chaos
2007  In the Land of Women

Producer:
2001  Out Cold
2001  Saving Silverman
2002  Video Voyeur: The Susan Wilson Story
2004  I, Robot
2005  Chaos
2007  In the Land of Women
2014  The Ultimate Fighter Nations Finale: Bisping vs. Kennedy

Production Coordinator:
2001  Out Cold
2001  Saving Silverman
2002  Video Voyeur: The Susan Wilson Story
2003  My Boss's Daughter
2004  I, Robot
2004  The Perfect Score
2005  Chaos
2005  Four Brothers
2007  In the Land of Women
2014  The Ultimate Fighter Nations Finale: Bisping vs. Kennedy

Travel Coordinator:
2001  Out Cold
2001  Saving Silverman
2002  Video Voyeur: The Susan Wilson Story
2003  My Boss's Daughter
2004  I, Robot
2004  The Perfect Score
2005  Chaos
2005  Four Brothers
2006  Zoom
2007  In the Land of Women
2014  The Ultimate Fighter Nations Finale: Bisping vs. Kennedy

Visual Effects Producer:
2001  Out Cold
2001  Saving Silverman
2002  Video Voyeur: The Susan Wilson Story
2003  My Boss's Daughter
2004  I, Robot
2004  The Perfect Score
2005  Chaos
2005  Four Brothers
2006  Zoom
2007  In the Land of Women
2014  The Ultimate Fighter Nations Finale: Bisping vs. Kennedy
2021  There's Someone Inside Your House
2023  Ferrari
2023  You Are So Not Invited to My Bat Mitzvah
2024  The First Omen

Assistant Production Coordinator:
2002  John Doe

Visual Effects:
2002  John Doe
2015  Killjoys

Visual Effects Producer:
2002  John Doe
2015  Killjoys
2017  Alias Grace
2018  Impulse
2021  Sex/Life
2021  The Mosquito Coast
2022  Five Days at Memorial
2025  Murderbot

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.