A work in constant progress (and occasional regress).
Birthplace:
Wellington, New Zealand
Simon Duggan, ASC, ACS, is a New Zealand-Australian cinematographer. His body of work includes collaborations with directors like Baz Luhrmann, Alex Proyas, Mel Gibson, Greg McLean, and George Miller. He has won the AACTA Award for Best Cinematography twice, for The Great Gatsby (2013) and Hacksaw Ridge (2016). Duggan started his career off in Australia at Ross Wood Film Studios. His first feature film was 1998's The Interview, starring Hugo Weaving. Duggan frequently worked with Alex Proyas and Len Wiseman, acting as cinematographer on their films Garage Days, I, Robot, Underworld: Evolution, Live Free or Die Hard, and Knowing. Other credits include The Mummy: Tomb of the Dragon Emperor and Killer Elite. Duggan was director of photography on Baz Luhrmann's The Great Gatsby. This was Luhrmann's first experience filming with 3D. After The Great Gatsby, Duggan worked on 300: Rise of an Empire, Duncan Jones' Warcraft, and Hacksaw Ridge, which marked Mel Gibson's return to directing after 2006's Apocalypto. Duggan was invited as a member to the Australian Cinematographers Society in 1989 and the American Society of Cinematographers in 2022. Description above from the Wikipedia article Simon Duggan, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Cinematography:
2001 Risk
2002 Garage Days
2008 The Mummy: Tomb of the Dragon Emperor
Director of Photography:
1998 The Interview
2001 Risk
2002 Garage Days
2004 I, Robot
2006 Underworld: Evolution
2007 Live Free or Die Hard
2008 Restraint
2008 The Mummy: Tomb of the Dragon Emperor
2009 Knowing
2011 Killer Elite
2013 The Great Gatsby
2014 300: Rise of an Empire
2016 Hacksaw Ridge
2016 Warcraft
2017 The Lego Ninjago Movie
2019 Isn't It Romantic
2022 Disenchanted
2024 Furiosa: A Mad Max Saga
2024 The Exorcism
Director of Photography:
2024 Territory
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.