A work in constant progress (and occasional regress).
Hanzhi Tang is a visual effects supervisor and was previously a digital effects supervisor and head of lighting at Digital Domain. Over the course of his 20 years with the studio, he has contributed his expertise on over two dozen feature films and has received a Visual Effects Society Award nomination for his Outstanding Created Environment work in the movie "2012" and most recently an 2021 HPA Award for Outstanding Visual Effects—Theatrical Feature for Marvel's Black Widow. Hanzhi was our Visual Effects Supervisor on "Black Panther: Wakanda Forever" for Marvel Studios, released in 2022, which has garnered an Academy Award nomination for Best Visual Effects. Digital Domain completed a very extensive body of work, covering most of the third act and more. Previous to that, in 2021, he completed Marvel's "Shang-Chi and the Legend of the Ten Rings" as Visual Effects Supervisor, which also received an Academy Award nomination for Best Visual Effects. Hanzhi comes from a lighting and rendering background with extensive experience on set and with digital head capture projects. He has used these techniques to create detailed digital doubles and a CG concert avatar, among other applications. He has also worked with virtual production and motion capture to create a 28-character fully CG commercial for LG. Hanzhi earned a Master of Science in Physics from Imperial College, University of London, which provided him with an understanding of both real-world dynamics and optics that has been a foundation for achieving realism in VFX. Recently, Hanzhi was inducted into the Academy of Motion Picture Arts and Sciences in recognition of his long list of contributions as a supervisor to VFX in feature films. He is an essential member of Digital Domain's global team of visual effects experts. Information above via their homepage.
CG Supervisor:
2011 Transformers: Dark of the Moon
2013 Ender's Game
2013 Jack the Giant Slayer
2014 X-Men: Days of Future Past
2016 Independence Day: Resurgence
Digital Effects Supervisor:
2011 Transformers: Dark of the Moon
2013 Ender's Game
2013 Jack the Giant Slayer
2014 X-Men: Days of Future Past
2016 Independence Day: Resurgence
2017 Power Rangers
2017 Thor: Ragnarok
2019 Captain Marvel
2021 Black Widow
VFX Lighting Artist:
2003 Peter Pan
2004 I, Robot
2005 Stealth
2011 Transformers: Dark of the Moon
2013 Ender's Game
2013 Jack the Giant Slayer
2014 X-Men: Days of Future Past
2016 Independence Day: Resurgence
2017 Power Rangers
2017 Thor: Ragnarok
2019 Captain Marvel
2021 Black Widow
Visual Effects Supervisor:
2003 Peter Pan
2004 I, Robot
2005 Stealth
2011 Transformers: Dark of the Moon
2013 Ender's Game
2013 Jack the Giant Slayer
2014 X-Men: Days of Future Past
2016 Independence Day: Resurgence
2017 Power Rangers
2017 Thor: Ragnarok
2019 Captain Marvel
2021 Black Widow
2021 Shang-Chi and the Legend of the Ten Rings
2022 Black Panther: Wakanda Forever
2025 Captain America: Brave New World
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.