A work in constant progress (and occasional regress).
Matt Villa is an Australian film editor, most famous for editing The Great Gatsby, for which he won Best Editing at the 3rd AACTA Awards alongside Jason Ballantine and Jonathan Redmond. Villa won his second AACTA Award the following year for Predestination. In 2023, Villa was nominated for an Academy Award in the category Best Film Editing for the film Elvis. Description above from the Wikipedia article Matt Villa, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Additional Editing:
2023 Scarygirl
Assistant Sound Editor:
1997 Under the Lighthouse Dancing
2023 Scarygirl
Associate Editor:
1997 Under the Lighthouse Dancing
2004 I, Robot
2023 Scarygirl
Editor:
1997 Under the Lighthouse Dancing
1999 Bangers
2004 I, Robot
2007 The Final Winter
2010 Daybreakers
2010 Lest We Forget
2013 The Great Gatsby
2014 Predestination
2014 The Water Diviner
2017 The Lego Batman Movie
2018 Winchester
2020 At Last
2022 Elvis
2023 Scarygirl
2024 And Mrs.
2024 Sleeping Dogs
2025 Eden
First Assistant Editor:
1997 Under the Lighthouse Dancing
1998 Dark City
1999 Bangers
2004 I, Robot
2007 The Final Winter
2010 Daybreakers
2010 Lest We Forget
2013 The Great Gatsby
2014 Predestination
2014 The Water Diviner
2017 The Lego Batman Movie
2018 Winchester
2020 At Last
2022 Elvis
2023 Scarygirl
2024 And Mrs.
2024 Sleeping Dogs
2025 Eden
Visual Effects Coordinator:
1997 Under the Lighthouse Dancing
1998 Babe: Pig in the City
1998 Dark City
1999 Bangers
2004 I, Robot
2007 The Final Winter
2010 Daybreakers
2010 Lest We Forget
2013 The Great Gatsby
2014 Predestination
2014 The Water Diviner
2017 The Lego Batman Movie
2018 Winchester
2020 At Last
2022 Elvis
2023 Scarygirl
2024 And Mrs.
2024 Sleeping Dogs
2025 Eden
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.