Jeffrey Ford (b. 1968)

Birthplace:
Novato, California, USA

Born:
February 16, 1968

Jeffrey Ford, ACE, was born in Novato, California. He attended high school in Troutdale, Oregon and graduated from the University of Southern California School of Cinema-Television in Los Angeles with a degree in Cinema-Television Production. He began his professional filmmaking career in 1994, working as an editorial assistant on James Gray’s debut feature film, Little Odessa. He went on to work as an assistant editor on several feature films, including the Academy Award-nominated As Good as It Gets for editor Richard Marks and director James L. Brooks.  Ford’s first solo feature as editor was The Yards for director James Grey, which premiered in competition at the Cannes Film Festival in 2000.  He edited Teddy Bears’ Picnic for Harry Shearer, One Hour Photo for Mark Romanek, Hide and Seek for John Polson, The Family Stone for Thomas Bezucha (his work receiving an ACE Eddie nomination), and Street Kings for David Ayer. He also edited Shattered Glass and Breach for director Billy Ray. With Paul Rubell, he co-edited Public Enemies for director Michael Mann. In 2011, he teamed with Bezucha again for Monte Carlo.  At Marvel Studios, Ford co-edited Captain America: The First Avenger (with Robert Dalva) for director Joe Johnston, Iron Man Three (with Peter S. Elliot) for Shane Black and The Avengers, and Avengers: Age of Ultron (both with Lisa Lassek) for director Joss Whedon. For Joe and Anthony Russo he co-edited (with Matthew Schmidt) Captain America: The Winter Soldier, Captain America: Civil War, Avengers: Infinity War, and Avengers: Endgame.  In 2019, he returned to work with Thomas Bezucha on Let Him Go, starring Kevin Costner and Diane Lane. He edited the Showtime mini-series The Comey Rule about the 2016 presidential election for Billy Ray.  He recently completed editing Spider-Man: No Way Home for director Jon Watts.  He lives in Los Angeles with his wife and two sons.

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.