A work in constant progress (and occasional regress).
Dialogue Editor:
1993 The Fugitive
2001 The One
2002 High Crimes
Foley:
1993 The Fugitive
2001 The One
2002 High Crimes
2004 I, Robot
Foley Editor:
1993 The Fugitive
2000 The Perfect Storm
2000 Vertical Limit
2001 The One
2002 High Crimes
2004 I, Robot
Sound:
1993 The Fugitive
1994 North
2000 The Perfect Storm
2000 Vertical Limit
2001 The One
2002 High Crimes
2004 I, Robot
Sound Editor:
1989 She's Out of Control
1989 Tango & Cash
1990 Fire Birds
1991 The Doctor
1992 Mr. Saturday Night
1992 The Babe
1993 The Fugitive
1994 North
1996 Tin Cup
2000 The Perfect Storm
2000 Vertical Limit
2001 The One
2002 High Crimes
2003 Open Range
2004 I, Robot
Sound Effects Editor:
1989 She's Out of Control
1989 Tango & Cash
1990 Fire Birds
1990 Rocky V
1991 Grand Canyon
1991 The Doctor
1992 Mr. Saturday Night
1992 The Babe
1993 The Fugitive
1994 North
1996 Tin Cup
2000 Hanging Up
2000 The Perfect Storm
2000 Vertical Limit
2001 The One
2002 High Crimes
2003 Open Range
2004 I, Robot
Supervising Sound Editor:
1989 She's Out of Control
1989 Tango & Cash
1990 Fire Birds
1990 Rocky V
1991 Grand Canyon
1991 The Doctor
1992 Mr. Saturday Night
1992 The Babe
1993 The Fugitive
1994 North
1994 Wyatt Earp
1996 Tin Cup
2000 Hanging Up
2000 The Perfect Storm
2000 Vertical Limit
2001 The One
2002 High Crimes
2003 Open Range
2004 I, Robot
Supervising Sound Effects Editor:
1989 She's Out of Control
1989 Tango & Cash
1990 Fire Birds
1990 Rocky V
1991 Grand Canyon
1991 The Doctor
1992 Mr. Saturday Night
1992 The Babe
1993 The Fugitive
1994 North
1994 Wyatt Earp
1996 Tin Cup
1998 Postmortem
2000 Hanging Up
2000 The Perfect Storm
2000 Vertical Limit
2001 The One
2002 High Crimes
2003 Open Range
2004 I, Robot
Sound Effects Editor:
1997 Extreme Dinosaurs
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.