Paul Lambert

Birthplace:
UK

Paul Lambert is an English visual effects supervisor at Wylie Co. He has won four Academy Awards for Best Visual Effects for Blade Runner 2049 (2017), First Man (2018), Dune (2021), and Dune: Part Two (2024). With his most recent victory, Lambert tied the record of a "perfect score" of four Oscar nominations and four wins held by sound editor Mark Berger (and was since matched that same ceremony by filmmaker Sean Baker).  Description above from the Wikipedia article Paul Lambert (special effects artist), licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Compositing Artist:
2005  Stealth

Compositing Lead:
2003  Lara Croft: Tomb Raider - The Cradle of Life
2005  Stealth
2006  Zoom
2007  Pirates of the Caribbean: At World's End

Compositing Supervisor:
2003  Lara Croft: Tomb Raider - The Cradle of Life
2005  Stealth
2006  Zoom
2007  Pirates of the Caribbean: At World's End
2008  The Curious Case of Benjamin Button
2009  G.I. Joe: The Rise of Cobra
2010  TRON: Legacy
2011  The Girl with the Dragon Tattoo

Digital Compositor:
2003  Lara Croft: Tomb Raider - The Cradle of Life
2004  I, Robot
2004  The Day After Tomorrow
2005  Stealth
2006  Flags of Our Fathers
2006  Letters from Iwo Jima
2006  Zoom
2007  Pirates of the Caribbean: At World's End
2008  The Curious Case of Benjamin Button
2009  G.I. Joe: The Rise of Cobra
2010  TRON: Legacy
2011  The Girl with the Dragon Tattoo

Digital Effects Supervisor:
2003  Lara Croft: Tomb Raider - The Cradle of Life
2004  I, Robot
2004  The Day After Tomorrow
2005  Stealth
2006  Flags of Our Fathers
2006  Letters from Iwo Jima
2006  Zoom
2007  Pirates of the Caribbean: At World's End
2008  The Curious Case of Benjamin Button
2009  G.I. Joe: The Rise of Cobra
2010  TRON: Legacy
2011  The Girl with the Dragon Tattoo
2013  Jack the Giant Slayer
2013  Oblivion
2014  Gone Girl

Visual Effects Supervisor:
2003  Lara Croft: Tomb Raider - The Cradle of Life
2004  I, Robot
2004  The Day After Tomorrow
2005  Stealth
2006  Flags of Our Fathers
2006  Letters from Iwo Jima
2006  Zoom
2007  Pirates of the Caribbean: At World's End
2008  The Curious Case of Benjamin Button
2009  G.I. Joe: The Rise of Cobra
2010  TRON: Legacy
2011  The Girl with the Dragon Tattoo
2013  Jack the Giant Slayer
2013  Oblivion
2014  Gone Girl
2016  The Huntsman: Winter's War
2017  Blade Runner 2049
2018  First Man
2021  Dune
2024  Dune: Part Two
2026  Dune: Part Three
2026  Project Hail Mary

Rigging Supervisor:
2021  Queen of the Universe

About the Movie Section

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Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.