Richard Friedlander

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Assistant Editor:
1987  Ishtar
1995  Apollo 13
1996  Ransom
1996  The Mirror Has Two Faces

First Assistant Editor:
1987  Ishtar
1988  Dirty Rotten Scoundrels
1989  An Innocent Man
1993  Sleepless in Seattle
1995  Apollo 13
1996  Ransom
1996  The Mirror Has Two Faces
2001  A Beautiful Mind
2001  The Score

Visual Effects Editor:
1987  Ishtar
1988  Dirty Rotten Scoundrels
1989  An Innocent Man
1993  Sleepless in Seattle
1995  Apollo 13
1996  Ransom
1996  The Mirror Has Two Faces
1999  Sleepy Hollow
2001  A Beautiful Mind
2001  The Score

Visual Effects Producer:
1987  Ishtar
1988  Dirty Rotten Scoundrels
1989  An Innocent Man
1993  Sleepless in Seattle
1995  Apollo 13
1996  Ransom
1996  The Mirror Has Two Faces
1999  Sleepy Hollow
2001  A Beautiful Mind
2001  The Score
2004  The Stepford Wives
2005  Cinderella Man
2006  The Da Vinci Code
2007  Hot Rod
2007  The Brave One
2008  Synecdoche, New York
2009  Away We Go
2009  Duplicity
2009  The Limits of Control
2009  The Road
2010  Brooklyn's Finest
2010  Jack Goes Boating
2011  Our Idiot Brother
2011  The Adjustment Bureau
2011  Violet & Daisy
2013  The Immigrant
2013  The Wolf of Wall Street
2014  The Drop
2016  Café Society
2016  Nerve
2016  Triple 9
2019  A Rainy Day in New York
2019  The Lighthouse
2020  Rifkin’s Festival
2020  The Trial of the Chicago 7
2022  Armageddon Time

Visual Effects Supervisor:
1987  Ishtar
1988  Dirty Rotten Scoundrels
1989  An Innocent Man
1993  Sleepless in Seattle
1995  Apollo 13
1996  Ransom
1996  The Mirror Has Two Faces
1999  Sleepy Hollow
2001  A Beautiful Mind
2001  The Score
2004  The Stepford Wives
2005  Cinderella Man
2006  The Da Vinci Code
2007  Hot Rod
2007  The Brave One
2008  Synecdoche, New York
2009  Away We Go
2009  Duplicity
2009  The Limits of Control
2009  The Road
2010  Brooklyn's Finest
2010  Jack Goes Boating
2011  Our Idiot Brother
2011  The Adjustment Bureau
2011  Violet & Daisy
2013  The Immigrant
2013  The Wolf of Wall Street
2014  The Drop
2016  Café Society
2016  Nerve
2016  Triple 9
2017  Wonder Wheel
2019  A Rainy Day in New York
2019  The Lighthouse
2020  Rifkin’s Festival
2020  The Trial of the Chicago 7
2021  Being the Ricardos
2022  Armageddon Time
2023  No Hard Feelings
2024  Lisa Frankenstein

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.