A work in constant progress (and occasional regress).
Release Date:
December 14, 1988
Original Title:
Dirty Rotten Scoundrels
Alternate Titles:
Due figli di...
Несусвітні шахраї
Отпетые мошeнники
Отпетые мошенники
骗徒臭事多
Genres:
Comedy | Crime
Production Companies:
Orion Pictures
Production Countries:
United States of America
Ratings / Certifications:
AT: 12 AU: PG DE: 12 DK: A FR: U GB: PG GR: 12 IE: PG PL: 12 US: PG
Runtime: 110
Con artist Lawrence Jamieson is a longtime resident of a luxurious coastal resort, where he enjoys the lavish fruits of his deceptions -- that is, until a competitor, Freddy Benson, shows up. When the new guy's lowbrow tactics impinge on his own sophisticated work and believing him to be the infamous conman 'The Jackal', Lawrence resolves to get rid of him. Confident of his own duplicitous talents, he challenges Freddy to a winner-takes-all competition: whoever swindles their latest mark, American heiress Janet Colgate, out of $50,000 first can stay, while the other must leave town.
ADR Editor:
C.J. Appel
Ron Davies
ADR Recordist:
Lionel Strutt
Art Direction:
Steve Spence
Damien Lanfranchi
Assistant Art Director:
Tony Rimmington
Assistant Costume Designer:
Sue Gandy
Assistant Dialogue Editor:
Gwendolyn Yates Whittle
Assistant Editor:
Robert Grahamjones
Bob Sarles
Denis Coq
Assistant Location Manager:
Régis Brun
Assistant Property Master:
Bernard Langton
Best Boy Electric:
John 'Fest' Sandau
Best Boy Grip:
Bruce Byall
Boom Operator:
Don Banks
Casting:
Donna Isaacson
John S. Lyons
Color Timer:
Reid Burns
Costume Design:
Marit Allen
Dialogue Editor:
Michael Silvers
John Nutt
Director:
Frank Oz
Director of Photography:
Michael Ballhaus
Dolly Grip:
Arthur Blum
Editor:
Stephen A. Rotter
William S. Scharf
Electrician:
Jean-Marie Lopez
Stephane Negre
Executive Producer:
Charles Hirschhorn
Dale Launer
First Assistant Camera:
Florian Ballhaus
First Assistant Director:
Bernard Williams
David Tringham
First Assistant Editor:
Richard Friedlander
Foley Editor:
Rob Fruchtman
Luis Colina
Gaffer:
James R. Tynes
Generator Operator:
Ernest Cabezas
Grip:
Antoine Bratulic
Rene Basso
Hairstylist:
Gerry Jones
Thierry Zenmour
Head Carpenter:
Jean Menna
Key Grip:
Steve Smith
Location Casting:
Françoise Combadière
Caroline Mazauric
Debbie McWilliams
Location Manager:
René Brun
Makeup Artist:
Janet Flora
Pascal Charbonnier
Music Editor:
Nancy Fogarty
Musician:
Jerry Goodman
Orchestrator:
Thomas Pasatieri
Oscar Castro-Neves
Original Film Writer:
Paul Henning
Stanley Shapiro
Original Music Composer:
Miles Goodman
Producer:
Bernard Williams
Producer's Assistant:
Inger Eisenhour
Ruth Hasty
Production Assistant:
Andrea Tringham
Joseph Brad Kluge
Production Controller:
Dianne Mapp-Cheek
Production Coordinator:
Michelle Wright
Production Design:
Roy Walker
Production Secretary:
Laurence Coutaud-Garnier
Production Sound Mixer:
Ivan Sharrock
Property Buyer:
Phillipe Mazauric
Property Master:
Terry Wells Sr.
Prosthetic Makeup Artist:
Matthew W. Mungle
Publicist:
Tom Gray
Screenplay:
Dale Launer
Script Supervisor:
Valerie E. Norman
Second Assistant Camera:
Bobby Mancuso
Second Assistant Director:
Gerry Toomey
Second Second Assistant Director:
Antoine Sabarros
Set Decoration:
Rosalind Shingleton
Sound Assistant:
Jean-Pierre Steen
Sound Effects Editor:
Pat Jackson
Ann Kroeber
Sound Re-Recording Mixer:
Mark Berger
Tom Johnson
Richard Beggs
Still Photographer:
Bob Penn
Stunt Double:
Terry Walsh
Supervising Sound Editor:
Alan Splet
Title Designer:
Bran Ferren
Transportation Coordinator:
Gaston Veilleux
Unit Production Manager:
Bernard Mazauric
Wardrobe Assistant:
Claudia Fellous
Suzy Sand
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.