A work in constant progress (and occasional regress).
Release Date:
March 4, 2010
Original Title:
Brooklyn's Finest
Alternate Titles:
Atraídos pelo crime
Brooklyn Tươi Sáng
Brooklyn mélyén
Brooklyn’s Finest
Gesetz der Straße - Brooklyn's Finest
Gliniarze z Brooklynu
L'Elite de Brooklyn
Los amos de Brooklyn
Los mejores de Brooklyn
Nejlepší z Brooklynu
Η Σκοτεινή Πλευρά του Νόμου
Бруклинские полицейские
恶夜特警队
惡夜特警隊
Genres:
Crime | Drama | Thriller
Production Companies:
Fuqua Films
Langley Productions
Millennium Media
Nu Image
Thunder Road
Production Countries:
United States of America
Ratings / Certifications:
AT: 16 AU: MA15+ CA: R CH: 16 DE: 16 DK: 15 år FR: 12 GB: 18 GR: 16 IE: 18 US: R
Runtime: 133
Enforcing the law within the notoriously rough Brownsville section of the city and especially within the Van Dyke housing projects is the NYPD's sixty-fifth precinct. Three police officers struggle with the sometimes fine line between right and wrong.
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ADR Editor:
Ruth Hernandez
ADR Mixer:
David Boulton
ADR Recordist:
Brian Gallagher
Armorer:
Ryder Washburn
Art Department Coordinator:
Lauren Buckley
Art Department Production Assistant:
Hunter Popalis
Art Direction:
Peter Baran
Assistant Costume Designer:
Lauren Press
Lorraine Z. Calvert
Associate Editor:
John Scott Cook
Best Boy Electric:
Brian McClean
Best Boy Grip:
Gus Magalios
Boom Operator:
Alfredo Viteri
Camera Loader:
Kevin Kasarda
Camera Operator:
Mike O'Shea Jr.
Patrick Murguia
Casting:
Mary Vernieu
Suzanne Smith Crowley
Casting Associate:
Lindsay Graham Ahanonu
Jessica Kelly
Colorist:
Ryan Bennett
Stefan Sonnenfeld
Sean Dunckley
Construction Coordinator:
Richard Hebrank
Construction Foreman:
Peter Bundrick
Construction Grip:
John Galuppo
Contact Lens Technician:
Erica Kissack
Costume Coordinator:
Alex Bovaird
Costume Design:
Juliet Polcsa
Costumer:
Tommy Boyer
Dialogue Editor:
Laura Civiello
Digital Intermediate:
Rob Cadzow
Digital Intermediate Editor:
Nicholas Hasson
Digital Intermediate Producer:
Devin Sterling
Director:
Antoine Fuqua
Director of Photography:
Patrick Murguia
Dolly Grip:
Louis Sabat
Mike Yurich
Editor:
Barbara Tulliver
Editorial Production Assistant:
Luke Ciarrocchi
Electrician:
Jim McCullough Jr.
Kenneth Potter
Executive Producer:
Antoine Fuqua
Mary Viola
Robert Greenhut
Avi Lerner
Boaz Davidson
Marco Weber
Trevor Short
Jesse Kennedy
Danny Dimbort
First Assistant "A" Camera:
Bobby Mancuso
First Assistant "B" Camera:
Scott Tinsley
First Assistant Director:
Joe Napolitano
First Assistant Editor:
Yale Kozinski
First Assistant Sound Editor:
Igor Nikolic
Eric McAllister
Foley Artist:
Jay Peck
Foley Editor:
Matthew Haasch
Foley Mixer:
Ryan Collison
Foley Supervisor:
John Werner
Gaffer:
Jay Fortune
Generator Operator:
Raymond Fortune
Graphic Designer:
Derrick Kardos
Grip:
Rocco Proscia
Ernest Yurich
Kevin Gilligan
Kevin Califano
Hair Department Head:
Nathan J. Busch II
Hairstylist:
Lyndell Quiyou
Key Grip:
George Patsos
Key Hair Stylist:
Carmen S. Riviera
Key Makeup Artist:
Sunday Englis
Key Rigging Grip:
Billy Patsos
Leadman:
Peter DeCurtis
Lighting Technician:
James J. McCullagh
Location Manager:
Nicholas Bernstein
Makeup Artist:
LuAnn Claps
Makeup Department Head:
Matiki Anoff
Music Coordinator:
Selena Arizanovic
Music Editor:
Dan Evans Farkas
Nancy Allen
John M. Davis
Jennifer Dunnington
Eric J. Paul
Music Supervisor:
John Houlihan
Original Music Composer:
Marcelo Zarvos
Pilot:
Al Cerullo
Police Consultant:
Joseph Bannon
Jerry Speziale
Tom Antonetti
Paul Lozada
Tom Murray
Producer:
Basil Iwanyk
John Thompson
Elie Cohn
John Langley
Kat Samick
Jeanne O'Brien-Ebiri
Joe Napolitano
Production Accountant:
Kathi Scharer
Production Assistant:
Ahsaan Mitchell
Production Controller:
Alan J. Lam
Production Coordinator:
Peter I. Sabat
Production Design:
Thérèse DePrez
Production Secretary:
Scott 'Hitman' Sims
Kenneth Daniels
Cle Sloan
Kirstin Liu
Production Supervisor:
Roderick Alleyne
Property Master:
Michael Saccio
Rigging Gaffer:
Thomas Dolan
Rigging Grip:
Ralph Rea
Scenic Artist:
Alan J. Lawson
Phillip Schneider
Patricia Sprott
Script Supervisor:
Ed Duranté
Deirdre Horgan
Second Assistant "A" Camera:
Jason Brignola
Second Assistant "B" Camera:
Julian J. Delacruz
Adam Johnson
Second Assistant Director:
Peter Soldo
Second Second Assistant Director:
Angela Jensen
Set Costumer:
Debbe DuPerrieu
Shawnique Hill
Aissatou Parks
Set Decoration:
Mila Khalevich
Set Dresser:
Frank DeCurtis
Eddie DeCurtis
Bear Davies
Michael Leather
John Saracco
Set Production Assistant:
Cynthia Bauer
Theron Alford
Ja'nae Burgess
Lisa Falzarano
Garrette Henson
Jon Shaw
Steve Jean-Baptiste
Sound Designer:
Maurice Schell
Sound Editor:
Gerald Donlan
Sound Effects Editor:
Mariusz Glabinski
Richard King
Sound Mixer:
Joe White
Sound Re-Recording Mixer:
Tom Fleischman
Sound Recordist:
Bret Johnson
Special Effects Coordinator:
Connie Brink
Steadicam Operator:
Mike O'Shea Jr.
Still Photographer:
Phillip V. Caruso
Stunt Coordinator:
John Cenatiempo
Stunt Double:
Carl Paoli
Stunts:
Aaron Vexler
Jalil Jay Lynch
Bobby Beckles
Derrick Simmons
Douglas Crosby
Norman Douglass
Jeff Chena
David S. Lomax
Supervising Sound Editor:
Maurice Schell
Tattooist:
Kentaro Yano
Title Designer:
Andy Goldman
Utility Sound:
Joshua Anderson
Visual Effects Producer:
Richard Friedlander
Glenn Allen
Visual Effects Supervisor:
Justin Ball
Wardrobe Supervisor:
Barrett Hong
Writer:
Michael C. Martin
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.