Home

An Innocent Man (1989) [R]

Release Date:
October 6, 1989

Original Title:
An Innocent Man

Alternate Titles:
Délit d'innocence
Innocent
Un hombre inocente
Von Bullen aufs Kreuz gelegt

Genres:
Crime | Drama | Thriller

Production Companies:
Interscope Communications
Silver Screen Partners IV
Touchstone Pictures

Production Countries:
United States of America

Ratings / Certifications:
DE: 16  GR: 16  US: R 

Runtime: 113

Falsely accused. Unjustly convicted. Determined to survive on the inside. Demanding justice once he's on the outside.

Overview from TheMovieDB

Jimmie Rainwood was minding his own business when two corrupt police officers (getting an address wrong) burst into his house, expecting to find a major drug dealer. Rainwood is shot, and the officers frame him as a drug dealer. Rainwood is convicted of drug dealing, based on the perjured evidence of a police informant. Thrown into a seedy jail, fighting to prove his innocence is diffucult when he has to deal with the realities of prison life, where everyone claims they were framed.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

"B" Camera Operator:
Joseph F. Valentine

ADR Editor:
Jane McCulley

Art Direction:
Frank Richwood

Assistant Editor:
Holly Huckins

Assistant Sound Editor:
Marissa Littlefield
Lynn Sable
Dan Korintus
David Grossack
John Gilroy

Associate Producer:
Larry Brothers

Best Boy Electric:
Don Yamasaki

Best Boy Grip:
Ty Suehiro

Boom Operator:
Jules Strasser

Camera Operator:
David E. Diano

Casting:
Howard Feuer

Casting Assistant:
David Brymer

Co-Producer:
Neil Machlis

Color Timer:
Bob Noland

Construction Foreman:
Robert Bonino

Costume Design:
Rita Ryack

Costumer:
David Mayreis
Sandy Berke Jordan

Director:
Peter Yates

Director of Photography:
William A. Fraker

Dolly Grip:
Clay H. Wilson

Editor:
Stephen A. Rotter
William S. Scharf

Executive Producer:
Scott Kroopf

Extras Casting:
Ken Kitch

First Assistant "B" Camera:
Daniel Dayton

First Assistant Camera:
Marc Margulies
Bob Stradling

First Assistant Director:
Paul Deason

First Assistant Editor:
Richard Friedlander

Foley Artist:
Elisha Birnbaum

Gaffer:
Gerald Boatright

Hairstylist:
Carol A. O'Connell

Key Costumer:
Michael Dennison

Key Grip:
Al LaVerde

Leadman:
Michael Schmidt

Location Manager:
Robbie Goldstein
Ken Lavet

Makeup Artist:
Lon Bentley
James Lee McCoy

Music Editor:
Suzana Peric
Suki Buchman

Orchestrator:
Homer Denison

Original Music Composer:
Howard Shore

Producer:
Robert W. Cort
Ted Field

Production Coordinator:
Michele Imperato Stabile

Production Design:
Stuart Wurtzel

Production Sound Mixer:
C. Darin Knight

Property Master:
Mark Wade

Screenplay:
Larry Brothers

Script Supervisor:
Cynnie Troup

Second Assistant Camera:
Nicholas S. McLean

Second Assistant Director:
Kelly Wimberly
Paul Fonteyn

Second Second Assistant Director:
Jeff Okabayashi

Set Decoration:
Chris Butler

Set Designer:
Sig Tingloff

Sound Editor:
Michael Kirchberger
Neil L. Kaufman
Bitty O'Sullivan-Smith

Sound Re-Recording Mixer:
Tom Fleischman

Special Effects Coordinator:
William H. Schirmer

Still Photographer:
Gene Trindl

Stunt Coordinator:
John Moio

Stunts:
Tom Lupo
George P. Wilbur
David Efron
Steven Lambert
Mike Johnson
Kerrie Cullen

Supervising Sound Editor:
Dan Sable

Transportation Coordinator:
Eddie Lee Voelker

Unit Production Manager:
Neil Machlis

Unit Publicist:
Ellen Pasternack

Video Assist Operator:
David Katz

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.