A work in constant progress (and occasional regress).
Release Date:
September 17, 2010
Original Title:
Jack Goes Boating
Alternate Titles:
Jack & Connie
Jack csónakázni megy
Rendez-vous l'été prochain
Vejo Você no Próximo Verão
Джек отправляется в плаванье
Genres:
Comedy | Drama | Romance
Production Companies:
Big Beach
Cooper's Town
Labyrinth Theater Company
Olfactory Productions
Overture Films
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 91
A limo driver's blind date sparks a tale of love, betrayal, friendship and grace—centered around two working-class New York City couples.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"A" Camera Operator:
Craig Haagensen
"B" Camera Operator:
William Coleman
ADR Editor:
Ruth Hernandez
ADR Engineer:
Michael Fowler
ADR Recordist:
Douglas Murray
ADR Voice Casting:
Sondra James Weil
Additional Hairstylist:
Sacha Quarles
Art Direction:
Matteo De Cosmo
Assistant Editor:
Ali Muney
Assistant Production Coordinator:
Alison Davis
Assistant Sound Editor:
Lidia Tamplenizza
Associate Producer:
Sara Murphy
Boom Operator:
Neil Danziger
Camera Loader:
Kyle Repka
Casting:
Avy Kaufman
Casting Assistant:
Alexander Zahn
Casting Associate:
Lois J. Drabkin
Leeba Zakharov
Co-Producer:
George Paaswell
Compositors:
Michael Queen
Costume Designer:
Mimi O'Donnell
Costume Supervisor:
Amy Pickering
Dialogue Editor:
Alexa Zimmerman
Nicholas Renbeck
Director:
Philip Seymour Hoffman
Director of Photography:
W. Mott Hupfel III
Editor:
Brian A. Kates
Executive Producer:
Philip Seymour Hoffman
John Ortiz
Extras Casting:
Lee Genick
Sylvia Fay
Extras Casting Assistant:
Ronen Gevint
First Assistant "A" Camera:
Dan Hersey
First Assistant "B" Camera:
Larry Huston
First Assistant Director:
Curtis Smith
Foley Artist:
Marko Costanzo
Foley Editor:
Kam Chan
Hair Department Head:
Aaron F. Quarles
Key Costumer:
Felicity Gifford
Key Hair Stylist:
Frank Vazquez
Brian Sherratt
Key Makeup Artist:
Sunday Englis
Makeup Department Head:
Louise McCarthy
Marine Coordinator:
Chris Barnes
Music Coordinator:
Jackie Mulhearn
Music Editor:
John Carbonara
Music Supervisor:
Susan Jacobs
Original Music Composer:
Grizzly Bear
Evan Lurie
Post Production Supervisor:
Kelly Miller
Producer:
Beth O'Neil
Peter Saraf
Marc Turtletaub
Emily Ziff Griffin
Production Coordinator:
Pamela Bertini
Production Design:
Thérèse DePrez
Production Supervisor:
Anita Sum
Screenplay:
Robert Glaudini
Script Supervisor:
Mary Bailey
Second Assistant "A" Camera:
David Flanigan
Second Assistant "B" Camera:
Elizabeth Singer
Second Assistant Director:
Patrick D. Gibbons
Second Second Assistant Director:
Marta Forns-Escudé
Set Costumer:
Chrissy Kuhn
Set Decoration:
Rebecca Meis DeMarco
Sound Mixer:
Christof Gebert
Jeff Pullman
Sound Re-Recording Mixer:
Ron Bochar
Special Effects Coordinator:
J.C. Brotherhood
Special Effects Technician:
Nathanael Brotherhood
Chris Jordan
Stand In:
Cordell Stahl
Jesus A. Del Rosario Jr.
Alanna Wilson
Annette Hernandez
Still Photographer:
K.C. Bailey
Stunt Coordinator:
Declan Mulvey
Supervising Sound Editor:
Ron Bochar
Theatre Play:
Robert Glaudini
Underwater Camera:
David Knox
Unit Production Manager:
George Paaswell
Visual Effects Producer:
Glenn Allen
Richard Friedlander
Visual Effects Supervisor:
Justin Ball
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.