A work in constant progress (and occasional regress).
Release Date:
June 24, 1993
Original Title:
Sleepless in Seattle
Alternate Titles:
Sintonía de Amor
Άγρυπνος στο Σηάτλ
Неспящие в Сиэттле
めぐり逢えたら
めぐり逢えたら:1993
緣份的天空
Genres:
Comedy | Drama | Romance
Production Companies:
TriStar Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: PG BR: 10 CZ: 12+ DE: 6 DK: A ES: ATP FR: U GB: PG HU: 12 IE: PG KR: 15 PT: M/12 SE: Btl US: PG
Runtime: 105
After the death of his mother, a young boy calls a radio station in an attempt to set his father up on a date. Talking about his father’s loneliness soon leads to a meeting with a young female journalist, who has flown to Seattle to write a story about the boy and his father.
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2002 #45 |
100 Years: 100 PASSIONS
100 Greatest Love Stories Of All Time |
2008 #10 |
Top 10: ROMANTIC COMEDY
10 Greatest ROMANTIC COMEDY Films of All Time |
ADR Editor:
Harriet Fidlow
Apprentice Sound Editor:
Warren Shaw
Art Department Coordinator:
Wendy Skerritt
Art Direction:
Charley Beal
Gershon Ginsburg
Assistant Accountant:
Judy Pursley
Assistant Art Director:
Suzan Wexler
Assistant Chief Lighting Technician:
Paul Caven
Assistant Costume Designer:
Kimberly Adams
Assistant Production Coordinator:
Jennifer Campbell
Assistant Sound Editor:
Dan Edelstein
Paul P. Soucek
Richard Q. King
David Wahnon
Eytan Mirsky
Associate Producer:
Jane Bartelme
James W. Skotchdopole
Delia Ephron
Best Boy Grip:
Jack Bauer
Boom Operator:
Mychal D. Smith
Cableman:
Kay Colvin
Camera Operator:
Kevin Jewison
Casting:
Juliet Taylor
Casting Assistant:
Eve Battaglia
Aleen Keshishian
Casting Associate:
Laura Rosenthal
Chief Lighting Technician:
Richmond L. Aguilar
Color Timer:
Bob Kaiser
Construction Coordinator:
Harold Collins
Costume Design:
Judy L. Ruskin
Costumer:
Sally Roberts
Director:
Nora Ephron
Director of Photography:
Sven Nykvist
Dolly Grip:
Joe Hicks
Editor:
Robert M. Reitano
Executive Producer:
Patrick Crowley
Lynda Obst
Extras Casting:
Amy Caton-Ford
First Assistant Camera:
Jeff Cronenweth
First Assistant Director:
James W. Skotchdopole
First Assistant Editor:
Richard Friedlander
Greensman:
Michael McCombe
Key Costumer:
Heidi Shulman
Key Grip:
Gene Kearney
Key Hair Stylist:
Colleen Callaghan
Key Makeup Artist:
Sharon Ilson
Location Manager:
Dow Griffith
Lyricist:
Ramsay McLean
Makeup Artist:
Leonard Engelman
Music Consultant:
Jeffrey Pollack
Music Editor:
Nicholas Meyers
Negative Cutter:
Donah Bassett
Original Music Composer:
Marc Shaiman
Pilot:
Al Cerullo
Post Production Accountant:
Diane L. Langone
Post Production Supervisor:
Paul A. Levin
Producer:
Gary Foster
Production Accountant:
Tamara Bally
Production Coordinator:
Mitchell E. Dauterive
Production Design:
Jeffrey Townsend
Production Illustrator:
Daren Dochterman
Production Sound Mixer:
Kirk Francis
Property Master:
Jeff Mazzola
James Mazzola
Screenplay:
Jeff Arch
Nora Ephron
David S. Ward
Script Supervisor:
Mary A. Kelly
Second Assistant Director:
Donald J. Lee Jr.
Second Second Assistant Director:
Maggie Murphy
Second Unit Director of Photography:
Marty Oppenheimer
David Wagreich
Set Decoration:
Clay A. Griffith
Set Designer:
Charlie Daboub
Sound Editor:
Bitty O'Sullivan-Smith
Stan Bochner
Dan Korintus
Louis Bertini
Ira Spiegel
Sound Re-Recording Mixer:
Lee Dichter
Special Effects Coordinator:
Bob Riggs
Steadicam Operator:
Randy Nolen
Still Photographer:
Bruce McBroom
Story:
Jeff Arch
Storyboard Artist:
Brick Mason
Studio Teacher:
Judith M. Brown
Stunt Coordinator:
Conrad E. Palmisano
Stunts:
Barbara Anne Klein
Bruce Paul Barbour
Rick Seaman
Dick Hancock
Supervising Sound Editor:
Michael Kirchberger
Transportation Captain:
Robert T. Chestnut
Transportation Coordinator:
Dennis W. Milliken
Unit Production Manager:
Patrick Crowley
Unit Publicist:
Betsy Sokolow-Sherman
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.