A work in constant progress (and occasional regress).
Release Date:
October 24, 2008
Original Title:
Synecdoche, New York
Alternate Titles:
I Synekdohi tis Neas Yorkis
Kis-nagy világ
New York Yanılsamaları
New York, Iscenesat
Nueva York en escena
Prispodoba
Sinegdoha, New York
Sinekdoki, Niujorkas
Sinédoque, Nova Iorque
Sinédoque, Nova York
Stage Play
Stage Play - Mein Leben als Theaterstück
Synecdoche, New York - Todas las vidas, mi vida
Synecdoche, New York - todas las vidas, mi vida
Synekdocha, New York
Synekdocha, Nowy Jork
Sünekdohh, New York
Todas las vidas, mi vida
Η Συνεκδοχή της Νέας Υόρκης
Њујоршка Синегдоха
Нью-Йорк, Нью-Йорк
Нюйоркска пиеса
紐約浮世繪
纽约提喻法
脳内ニューヨーク
시네도키, 뉴욕
Genres:
Drama
Production Companies:
Likely Story
Projective Testing Service
Russia
Sidney Kimmel Entertainment
Production Countries:
United States of America
Ratings / Certifications:
AU: M BE: 12 DE: 12 GB: 15 IE: 15A JP: PG12 KR: 18 MX: B-15 NL: 12 PT: M/16 SE: 11 US: R
Runtime: 124
A theater director struggles with his work, and the women in his life, as he attempts to create a life-size replica of New York inside a warehouse as part of his new play.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Editor:
Ruth Hernandez
Art Direction:
Adam Stockhausen
Assistant Art Director:
Kim Jennings
Mark Pollard
Deborah Jensen
Assistant Costume Designer:
Chris Ann Pappas
Assistant Editor:
Beth Moran
Boom Operator:
Mark Goodermote
CG Supervisor:
Brett Miller
Camera Operator:
Lukasz Jogalla
Casting:
Jeanne McCarthy
Casting Assistant:
Joanne Bloom
Leslie Woo
Casting Associate:
Rori Bergman
Nicole Abellera Hallman
Compositing Supervisor:
Catherine Tate
Conductor:
Jon Brion
Costume Design:
Melissa Toth
Costumer:
Mary Gierczak
Dialect Coach:
Charlotte Fleck
Dialogue Editor:
Philip Stockton
Fred Rosenberg
Branka Mrkic
Director:
Charlie Kaufman
Director of Photography:
Frederick Elmes
Editor:
Robert Frazen
Executive Producer:
Ray Angelic
William Horberg
Bruce Toll
Executive Producer's Assistant:
Chantal Nong Vo
First Assistant Director:
H.H. Cooper
Foley Artist:
Marko Costanzo
Foley Editor:
Kam Chan
Jamie Baker
Foley Mixer:
George A. Lara
Foley Supervisor:
Frank Kern
Gaffer:
Jonathan Lumley
Hair Department Head:
Jerry DeCarlo
Intern:
Jacob Jaffke
Key Costumer:
Angela Mirabella
Cara Borrelli
Key Hair Stylist:
Mandy Lyons
Makeup Department Head:
Judy Chin
Makeup Designer:
Naomi Donne
Music Supervisor:
Bonnie Greenberg
Orchestrator:
Steve Bartek
Jon Brion
Original Music Composer:
Jon Brion
Post Production Supervisor:
Jessica Levin
Producer:
Charlie Kaufman
Spike Jonze
Sidney Kimmel
Anthony Bregman
Production Coordinator:
Mark Hagerman
T. Patrick Johnson
Production Design:
Mark Friedberg
Production Supervisor:
Erica Kay
Property Master:
Sandy Hamilton
Prosthetic Makeup Artist:
Mike Marino
Screenplay:
Charlie Kaufman
Script Supervisor:
Mary Cybulski
Set Decoration:
Lydia Marks
Sound Designer:
Eugene Gearty
Sound Mixer:
Drew Kunin
Sound Re-Recording Mixer:
Dror Gescheit
Reilly Steele
Eugene Gearty
Special Effects Coordinator:
Drew Jiritano
Storyboard Artist:
Kim Jennings
Stunt Coordinator:
Brian Smyj
Supervising Music Editor:
Jim Schultz
Supervising Sound Editor:
Philip Stockton
Eugene Gearty
Title Designer:
John Bair
Visual Effects Assistant Editor:
Alec Styborski
Visual Effects Coordinator:
Parker Chehak
Visual Effects Producer:
Renuka Ballal
Glenn Allen
Roopesh Gujar
Richard Friedlander
Paloma Añoveros
Visual Effects Supervisor:
Mark Russell
John Bair
Scott Frankel
Jesh Murthy
Eric J. Robertson
Wardrobe Supervisor:
Amy Pickering
Arlynn Abseck
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.