A work in constant progress (and occasional regress).
Release Date:
October 28, 2022
Original Title:
Armageddon Time
Alternate Titles:
Le temps de l'Armageddon
Yamim shel Tom
Час Армагеддону
Genres:
Drama
Production Companies:
Focus Features
Keep Your Head Productions
MadRiver Pictures
RT Features
Spacemaker Productions
Production Countries:
Brazil | United States of America
Ratings / Certifications:
AU: M BR: 16 DE: 12 ES: 12 FR: TP GB: 15 IE: 15|15A IT: T KR: 12 MX: B|C NL: 18 NZ: M RO: 12 SE: 15 US: R
Runtime: 114
In 1980, Queens, New York, a young Jewish boy befriends a rebellious African-American classmate to the disapproval of his privileged family and begins to reckon with growing up in a world of inequality and prejudice.
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Art Department Assistant:
Jordan Mailes
Assistant Art Director:
Mark Pate
Assistant Costume Designer:
Jon Can Coskunses
Assistant Production Coordinator:
Alanna Harrington
Assistant Production Manager:
Max Samu
Assistant Property Master:
Magnus Collins
Boom Operator:
Graham Gardner
Camera Production Assistant:
Ralph Reyes
Casting:
Douglas Aibel
Casting Associate:
Deborah Maxwell Dion
Matthew Glasner
Charge Scenic Artist:
Faridih Bolognini
Clearances Coordinator:
Cassandra Barbour
Compositing Supervisor:
Jesse Speer
Construction Coordinator:
Danny Rovira
Costume Assistant:
David Roig
Costume Coordinator:
James Ghazarian
Costume Design:
Madeline Weeks
Costumer:
Gina Ruiz
Dailies Operator:
Brian Wilkowski
Dialect Coach:
Howard Samuelsohn
Director:
James Gray
Director of Photography:
Darius Khondji
Editor:
Scott Morris
Executive Producer:
Riccardo Maddalosso
Doug Torres
Alex Hughes
Lourenço Sant'Anna
Rodrigo Gutierrez
Extras Casting:
Angela Citrola
First Assistant Director:
Doug Torres
Foley Artist:
Heikki Kossi
Hair Designer:
Nana Fischer
Hairstylist:
Theresa Haljean
Health and Safety:
William A. Medina
Key Costumer:
Anne Brenneke
Gina Javaheri
Key Makeup Artist:
Jennifer Suarez
Legal Services:
Harry Finkel
Location Assistant:
Chris Cloud
Location Manager:
Paul Eskenazi
Makeup Artist:
Maria Maio
Makeup Department Head:
Nana Fischer
Makeup Designer:
Nana Fischer
Original Music Composer:
Christopher Spelman
Producer:
Alan Terpins
Marc Butan
Rodrigo Teixeira
James Gray
Anthony Katagas
Production Assistant:
Bryan Congote
Ashley T. Dart
Jen Deleon
Brett Heidenreich
Cris Iannucci
Alex Ingram
Mona Kubota-Johnson
Production Consultant:
Christian Simonds
Production Coordinator:
Alex Lombardo
Shannon Smith
Production Design:
Happy Massee
Production Manager:
Richard Mancuso
Production Secretary:
Ali Reilly
Property Master:
Candice Wong
Script Supervisor:
Rebecca Breckel
Second Assistant Director:
Cary Lee
Second Second Assistant Director:
Justin Bischoff
Senior Colorist:
Kevin Krout
Set Costumer:
Diego Carranza
Rena Sherman
Set Decoration Buyer:
Clare Lord
Sound Mixer:
David J. Schwartz
Special Effects Coordinator:
Drew Jiritano
Special Effects Technician:
Robert Yapkowitz
Stand In:
Brooke Carrell
Title Designer:
Teddy Blanks
Utility Sound:
Jason Hemmerlin
Visual Effects Producer:
Richard Friedlander
Thurman Martin III
Visual Effects Supervisor:
Glenn Allen
Wardrobe Supervisor:
Laura Steinman
Wigmaker:
Stacey Butterworth
Writer:
James Gray
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.