A work in constant progress (and occasional regress).
Best Boy Electric:
1980 Harlequin
1981 The Survivor
Chief Lighting Technician:
1980 Harlequin
1981 The Survivor
1996 Race the Sun
2008 The Ruins
2019 Dora and the Lost City of Gold
2020 Love and Monsters
Gaffer:
1979 On the Road with Red Mole
1980 Harlequin
1981 The Survivor
1983 BMX Bandits
1986 The Mosquito Coast
1987 Howling III: The Marsupials
1988 Dadah Is Death
1988 The Everlasting Secret Family
1992 Strictly Ballroom
1992 The Last Days of Chez Nous
1994 Country Life
1994 Street Fighter
1996 Race the Sun
1998 Dark City
1999 The Matrix
2001 South Pacific
2003 The Matrix Reloaded
2003 The Matrix Revolutions
2005 King Kong
2005 Son of the Mask
2008 The Ruins
2010 Red Hill
2010 Tomorrow, When the War Began
2012 The Hobbit: An Unexpected Journey
2014 The Hobbit: The Battle of the Five Armies
2014 The Water Diviner
2015 San Andreas
2016 Kill Your Dinner
2017 2:22
2017 Pirates of the Caribbean: Dead Men Tell No Tales
2017 Thor: Ragnarok
2018 7 Guardians of the Tomb
2018 Ladies in Black
2019 Dora and the Lost City of Gold
2020 Love and Monsters
2024 Godzilla x Kong: The New Empire
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.