A work in constant progress (and occasional regress).
Release Date:
August 8, 2019
Original Title:
Dora and the Lost City of Gold
Alternate Titles:
Dora
Dora & Den Gyldne By
Dora the Explorer
Dora the lost city of gold
Dora və İtmiş Qızıl Şəhəri
Seikkailija Dora
Даша-путешественница
Genres:
Adventure | Comedy | Family
Production Companies:
MRC
Nickelodeon Movies
Paramount Pictures
Paramount Players
Screen Queensland
Walden Media
Production Countries:
Australia | United States of America
Ratings / Certifications:
AT: 6 AU: PG BR: 10 DE: 6 DK: 7 ES: APTA FI: K-12 FR: U|10 GB: PG HK: I HU: 12 IE: PG IL: All JP: G NL: 9 NO: 6 PL: 12 RO: AP RU: 6+ SE: 7 SG: PG SK: 12 US: PG
Runtime: 102
Dora, a girl who has spent most of her life exploring the jungle with her parents, now must navigate her most dangerous adventure yet: high school. Always the explorer, Dora quickly finds herself leading Boots (her best friend, a monkey), Diego, and a rag tag group of teens on an adventure to save her parents and solve the impossible mystery behind a lost Inca civilization.
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"A" Camera Operator:
Darrin Keough
ADR Editor:
Emilie O'Connor
ADR Voice Casting:
Phoebe Scholfield
Additional Editing:
Mark Davies
Art Department Assistant:
Shannon Reilly
Ebony Ashton
Art Department Coordinator:
Lauren Ann Evans
Art Direction:
Eugene Intas
Assistant Chief Lighting Technician:
Joe Stick
Assistant Costume Designer:
Chelsea Staebell
Assistant Dialogue Editor:
James Wichall
Assistant Editor:
Karina Stefanisina
Assistant Location Manager:
Damian Lang
Assistant Makeup Artist:
Lexi Stewart
Assistant Production Coordinator:
Talia Buckberry
Kate Weatherly
Assistant Property Master:
Doug Franks
Lachlan Linton-Keane
Assistant Set Decoration:
Emma Rudkin
Associate Producer:
Tamazin Simmonds
Boom Operator:
Ben Wyatt
Casting:
Sarah Halley Finn
Casting Assistant:
Djinous Rowling
Casting Associate:
Nicholas A. Mudd
Chief Lighting Technician:
Reg Garside
Choreographer:
Michael Rooney
Concept Artist:
Brendan Heffernan
Conductor:
Gavin Greenaway
Construction Manager:
Bradley Howard
Costume Assistant:
Ellie Suffolk
Costume Coordinator:
Erin Louise Cardoo
Costume Design:
Rahel Afiley
Costume Supervisor:
Helen Dykes
Costumer:
Melanie Ghisays
Dialogue Editor:
Gillian Dodders
Emilie O'Connor
Digital Imaging Technician:
Anthony Dias
Director:
James Bobin
Director of Photography:
Javier Aguirresarobe
Dolly Grip:
Mal Booth
Chris Maljers
Charlie Lowe
Editor:
Mark Everson
Electrician:
Sami Gustafsson
Josh Hutchen
Jamie Garside
Mark Levey
Beau Selwood
Executive In Charge Of Production:
Ralph Bertelle
Executive Producer:
John G. Scotti
Julia Pistor
Eugenio Derbez
First Assistant "A" Camera:
Scott Dolan
First Assistant "B" Camera:
David Elmes
First Assistant Director:
Richard Goodwin
James McGrady
First Assistant Editor:
Tom Coope
Foley Artist:
Peter Burgis
Jason Swanscott
Foley Editor:
Lilly Blazewicz
Foley Mixer:
Jemma Riley-Tolch
Glen Gathard
Graphic Designer:
Mica Purnell
Grip:
Todd Carmody
Brad Boterhoek
Aaron Rapira
Josh Tuener
Hair Designer:
Jennifer Stanfield
Hairdresser:
Emma George
Key Costumer:
Cindy Rosenthal
Key Hairdresser:
Lindy Hartley
Key Makeup Artist:
Tia Stephanou
Leadman:
Hamish Raven
Yvette Millist
Lighting Technician:
Sami Gustafsson
Line Producer:
Bruno Canale
Location Assistant:
Meagan Heuston
Chee Thao
Location Coordinator:
Monin Sak
Location Manager:
Duncan Jones
Makeup & Hair:
Lynette O'Brian
Vicki Sands
Louise Coulston
Samara Gildea
Billie Weston
Lauren Oliver
Sharon Robbins
Makeup Artist:
Rebecca Allen
Makeup Designer:
Lesley Vanderwalt
Makeup Supervisor:
Lesley Vanderwalt
Music Editor:
John Finklea
Jeff Carson
Orchestrator:
John Ashton Thomas
Geoff Lawson
Tommy Laurence
Original Music Composer:
Germaine Franco
John Debney
Payroll Accountant:
Sharon Tribolet
Post Production Supervisor:
Katie Reynolds
Producer:
Kristin Burr
Production Accountant:
Prudence Williams
Production Coordinator:
Candice Preddy
Production Design:
Dan Hennah
Production Secretary:
Kayla Weatherall
Production Sound Mixer:
Dane Cody
Property Master:
Gillian Butler
Props:
Manoela Amaral
Rigging Grip:
Nathan Kannegiesser
Screenplay:
Nicholas Stoller
Matthew Robinson
Script Supervisor:
Sarah Dahl
Benedict Paxton-Crick
Kristin Voumard
Sculptor:
Hannah Crosby
Seamstress:
Anthea Govett
Susan Booth
Sharka Bosakova
Second Assistant "A" Camera:
Jeremy Wheatley
Second Assistant "B" Camera:
Naomi Sharp
Robbie MacKinnon
Second Assistant Director:
Samantha Smith McGrady
Joanne Pearce
Second Second Assistant Director:
Greg Tynan
Michael O'Connor
Second Unit Director:
John G. Scotti
Second Unit Director of Photography:
David Burr
Set Decorating Coordinator:
Mary Robin
Set Decoration:
Kathryn Lim
Set Designer:
Siobhan Purkis
Rachel van Baarle
Set Dresser:
Peter Kodicek
Sound Designer:
Glenn Freemantle
Sound Effects Editor:
Dayo James
Robert Malone
Nick Freemantle
Sound Re-Recording Mixer:
Brendan Nicholson
Niv Adiri
Sound Recordist:
Dane Cody
Special Effects Coordinator:
Leanne Brooks
Special Effects Supervisor:
Bruce Bright
Still Photographer:
Vince Valitutti
Story:
Nicholas Stoller
Tom Wheeler
Storyboard Artist:
Dan Sweetman
Graeme Callander
Stunt Coordinator:
Jade Amantea
Kyle Gardiner
Stunts:
Garreth Hadfield
Ri-Jie Kwok
Carly Rees
Stephen Murdoch
Carla Thexton
Cameron Ambridge
Blake Lindsell
Tye Wilkie
Chan Griffin
Elissa Cadwell
Annette van Moorsel
Alek Skar
Marco Sinigaglia
Lachlan Robbie
Robbie Clissold
Toby Fuller
Alex Kuzelicki
Bronwyn Akhurst
Nick Turello
Supervising Art Director:
Richard Hobbs
Supervising Sound Editor:
Glenn Freemantle
Teleplay:
Valerie Walsh
Eric Weiner
Chris Gifford
Third Assistant Director:
Dan Cole
Tom Treasure
Underwater Director of Photography:
Roger Buckingham
Unit Production Manager:
Jennifer Cornwell
John G. Scotti
Unit Publicist:
Ernie Malik
Utility Sound:
Kara Moolman
Visual Effects Editor:
Ralph Foster
Henry Kemplen
Visual Effects Producer:
Kathy Chasen-Hay
Visual Effects Supervisor:
Andy Brown
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.