A work in constant progress (and occasional regress).
Release Date:
February 11, 2005
Original Title:
Son of the Mask
Alternate Titles:
El hijo de la Máscara
Le Fils du masque
Maskens återkomst
O Filho do Máscara
Son of the Mask
Son of the Mask (2005)
The Mask II: Son of the Mask
The mask 2
Маска 2
Сын маски
マスク2
变相怪杰2:面具之子
變相怪B
面具2
Genres:
Adventure | Comedy | Family | Fantasy
Production Companies:
Dark Horse Entertainment
Kumar Mobiliengesellschaft mbH & Co. Projekt Nr. 1 KG
New Line Cinema
Radar Pictures
Production Countries:
Germany | United States of America
Ratings / Certifications:
AT: 12 AU: PG BR: L DE: 6 DK: 7 FR: U IE: PG JP: G NL: 6 SE: 7 År SK: 12 US: PG
Runtime: 94
Tim Avery, an aspiring cartoonist, finds himself in a predicament when his dog stumbles upon the mask of Loki. Then after conceiving an infant son "born of the mask", he discovers just how looney child raising can be.
"A" Camera Operator:
Calum McFarlane
ADR Editor:
Fred Stafford
ADR Mixer:
Ron Bedrosian
Weldon Brown
ADR Recordist:
Daryl Lathrop
Julio Carmona
ADR Supervisor:
Bobbi Banks
ADR Voice Casting:
Barbara Harris
Additional Camera:
Darrin Keough
Damian Wyvill
Animation:
Chuck Duke
Animation Production Assistant:
Tom Tataranowicz
Art Department Coordinator:
Tricia McInally
Art Direction:
Brian Dusting
Assistant Editor:
David Birrell
Associate Producer:
Sean Gorman
Background Designer:
Dennis Venizelos
Jennifer Yuan
Boom Operator:
Gary Dixon
Camera Operator:
Simon Harding
Damien Beebe
Marc Spicer
John Trapman
Casting:
Roger Mussenden
Choreographer:
Keith Young
Clapper Loader:
Gerard Maher
Brett Tracey
Co-Producer:
Stephen Jones
Color Timer:
Jim Passon
Construction Coordinator:
Mary-Liz Andrews
Costume Design:
Mary E. Vogt
Director:
Lawrence Guterman
Director of Photography:
Greg Gardiner
Dolly Grip:
Matthew Copping
Aron Walker
Michael Vivian
Editor:
Malcolm Campbell
Debra Neil-Fisher
John Coniglio
Executive Producer:
Kent Alterman
Beau Marks
Mike Richardson
Toby Emmerich
Michele Weiss
First Assistant "A" Camera:
Matt Toll
First Assistant Camera:
Jem Rayner
Tov Belling
Carson Reaves
First Assistant Director:
Toby Pease
First Assistant Sound Editor:
Nancy Barker
Focus Puller:
Adrien Seffrin
Foley Artist:
Alyson Dee Moore
John Roesch
Foley Mixer:
Mary Jo Lang
Foley Recordist:
Scott Morgan
Foley Supervisor:
Thom Brennan
Gaffer:
Reg Garside
Key Grip:
Toby Copping
Makeup & Hair:
Erica Wells
Nadia Cowell
Chiara Tripodi
Toni Ffrench
Music Coordinator:
Christy Gerhart
Music Editor:
Andrew Silver
Negative Cutter:
Rick Downey
Orchestrator:
Ralph Ferraro
Original Music Composer:
Randy Edelman
Producer:
Erica Huggins
Dae Won Cho
Scott Kroopf
Production Accountant:
Lynell Bangs
Production Design:
Leslie Dilley
Production Manager:
Pat Sito
Property Master:
Brian Dusting
Prosthetic Makeup Artist:
David Dupuis
Screenplay:
Lance Khazei
Script Supervisor:
Kristin Witcombe
Second Assistant "B" Camera:
Lee Mariano
Second Assistant Camera:
Cameron Morley
Second Assistant Director:
Naomi Enfield
Second Second Assistant Director:
Giovanni Pacialeo
Second Unit Director:
James E. Price
Second Unit Director of Photography:
Andrew Turman
Set Decoration:
Rebecca Cohen
Set Dresser:
Jo-Ann Beikoff
Andrew Short
Sound Editor:
Mark Larry
Frank Smathers
James Azizi Penny
Brian W. Jennings
Eddie Kim
Ben Wilkins
Michael Edward Johnson
Sound Re-Recording Mixer:
Jon Taylor
Brad Sherman
Michael Herbick
Sound Recordist:
Paul 'Salty' Brincat
Special Effects:
John Dillon
Special Effects Makeup Artist:
Brian Sipe
Steadicam Operator:
David Knight
Simon Harding
Still Photographer:
Vince Valitutti
Supervising Art Director:
Bill Booth
Michelle McGahey
Supervising Dialogue Editor:
David A. Cohen
Supervising Sound Editor:
Greg Hedgepath
Technical Supervisor:
Howard R. Campbell
Unit Production Manager:
Beau Marks
Jennifer Cornwell
Unit Publicist:
Fiona Searson
Visual Effects Coordinator:
Colleen Bachman
Damien Carr
Visual Effects Editor:
Martin Allan Kloner
Visual Effects Producer:
Susan MacLeod
Bruce Jones
Ned Gorman
Michele Ferrone
Visual Effects Supervisor:
James E. Price
Thomas Schelesny
Edward Hirsh
Mark Dornfeld
Writer:
Lance Khazei
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.