A work in constant progress (and occasional regress).
Release Date:
December 25, 2014
Original Title:
The Water Diviner
Alternate Titles:
A Promessa de Uma Vida
Camino a Estambul
伊斯坦堡救援
战火情天
워터 디바이너
Genres:
Drama | War
Production Companies:
Fear of God Films
Hopscotch Features
Production Countries:
Australia | United States of America
Ratings / Certifications:
AU: M BE: 16 BR: 12 CA: R CH: 12 DE: 12 DK: 15 FI: K-16 GB: 15 HU: 16 IE: 15 IT: T KR: 15 MX: C NL: 16 NO: 15 RU: 16+ SE: 15 US: R
Runtime: 112
In 1919, Australian farmer Joshua Connor travels to Turkey to discover the fate of his three sons, reported missing in action. Holding on to hope, Joshua must travel across the war-torn landscape to find the truth and his own peace.
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ADR Editor:
Derryn Pasquill
Additional Camera:
Nick Forster
Additional Music:
Lisa Gerrard
Richard Tognetti
Ludovico Einaudi
Art Department Assistant:
Mustafa Kemal Olcer
Art Department Coordinator:
Christina Norman
Art Direction:
Cagri Aydin
Assistant Art Director:
Tuesday Stone
Assistant Camera:
Nick Forster
Assistant Sound Editor:
Beth Bezzina
Best Boy Electric:
Grant Wilson
Boom Operator:
Gerry Nucifora
Camera Operator:
Tayman Tekin
Peter McCaffrey
Ernie Clark
Casting:
Nikki Barrett
Pinar Celik
Casting Assistant:
Micharne Cloughley
Serdegul Erdogan
Casting Associate:
Natalie Wall
Construction Coordinator:
Imogen Trowell
Costume Design:
Tess Schofield
Costume Supervisor:
Robyn Elliott
Funda Buyuktunalioglu
Dialect Coach:
Victoria Mielewska
Sedef Ecer
Dialogue Editor:
Sonal Joshi
Emma Mitchell
Director:
Russell Crowe
Director of Photography:
Andrew Lesnie
Editor:
Matt Villa
Executive Producer:
John Collee
James Packer
Brett Ratner
Angus Ross
Andrew Anastasios
Kerry Stokes
Tim Worner
Andrew Knight
First Assistant Camera:
Colin Deane
Scott Dolan
Frank Hruby
First Assistant Director:
Chris Webb
Melisa Kurtay
First Assistant Editor:
Christine Cheung
Gaffer:
Reg Garside
Hair Supervisor:
Jennifer Lamphee
Hairstylist:
Wendy De Waal
Mahmut Terzi
Shay Lawrence
Key Grip:
David Nichols
Key Hair Stylist:
Anna Gray
Key Makeup Artist:
Anna Gray
Line Producer:
Barbara Gibbs
Location Manager:
Vicki Niehus
Umut Alkan
Gavin Aubrey
Sarah Abbey
Erhan Alpdundar
Makeup Artist:
Wendy De Waal
Jen Rossiter
Ebru Kiziltan
Dilek Zengin
Shay Lawrence
Jackie Wallington
Zeljka Stanin
Makeup Effects Designer:
Jason Baird
Makeup Supervisor:
Jennifer Lamphee
Music Editor:
Tony Wall
Original Music Composer:
David Hirschfelder
Post Production Supervisor:
Prue Fletcher
Producer:
Troy Lum
Andrew Mason
Keith Rodger
Production Accountant:
Emre Cosar
Production Coordinator:
Hannah Andrews
Production Design:
Chris Kennedy
Production Manager:
Lorelle Adamson
Menderes Demir
Production Supervisor:
Ali Akdeniz
Property Master:
Jo-Ann Beikoff
Rigging Grip:
Gerard Mahony
Script Supervisor:
Jo Weeks
Second Assistant Director:
Scott Lovelock
Umut Ozdemirci
Set Decoration:
Rebecca Cohen
Sound Designer:
Wayne Pashley
Sound Effects Editor:
Fabian Sanjurjo
Mario Gabrieli
Rick Lisle
Andrew Miller
Sound Re-Recording Mixer:
Peter Purcell
Greg P. Fitzgerald
Wayne Pashley
Sound Recordist:
Guntis Sics
Special Effects Supervisor:
Peter Stubbs
Murat Şengül
Steadicam Operator:
Peter McCaffrey
Still Photographer:
Mark Rogers
Storyboard:
Tim Evans
Brendan Tolley
Stunt Coordinator:
Doug Coleman
Zev Eleftheriou
Stunt Double:
Sharelle Starr
Dean Gould
Supervising Art Director:
Marita Mussett
Supervising Sound Editor:
Wayne Pashley
Libby Villa
Third Assistant Director:
Greg Tynan
Unit Publicist:
Fiona Nix
Visual Effects Supervisor:
David Booth
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.