A work in constant progress (and occasional regress).
Release Date:
August 8, 2010
Original Title:
Tomorrow, When the War Began
Alternate Titles:
Amanhã, Quando a Guerra Começou
Jutro, kiedy zaczęła się wojna
Manana Cuando la Guerra Empiece
Mañana cuando la guerra comience
Mañana, cuando la guerra empiece
Вторгнення. Битва за Рай
Завтра, когда начнется война
明日战争爆发时
明日,战争爆发时
破曉開戰
Genres:
Action | Adventure | Drama
Production Companies:
Ambience Entertainment
Omnilab Media
Production Countries:
Australia
Ratings / Certifications:
AU: M DE: 16 DK: 11 GB: 12A IE: 12 IT: T KZ: Е16 RU: 12+ SE: 15 US: R
Runtime: 103
Ellie Linton, a teen from an Australian coastal town, leads her friends on an excursion to a camp deep in the woods, dubbed "Hell." Upon their return, the youths find that their town has been overrun by an enemy army, and their friends and family have been imprisoned. When the hostile invaders become alerted to their presence, Ellie and her friends band together to escape -- and strike back against -- this mysterious enemy.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Editor:
Leah Katz
Armorer:
John Fox
Art Department Coordinator:
Anna Faigen
Art Direction:
Damien Drew
Boom Operator:
Gerry Nucifora
Camera Operator:
Ashleigh Carter
Casting:
Anousha Zarkesh
Gary Davy
Tricia Wood
Jennifer L. Smith
Conceptual Illustrator:
Brian Nickless
Construction Foreman:
Matt Baldwin
Costume Design:
Terry Ryan
Costume Supervisor:
Paula Ryan
Dialogue Editor:
Bronwyn Murphy
Digital Compositor:
Mathew Krentz
Director:
Stuart Beattie
Director of Photography:
Ben Nott
Editor:
Marcus D'Arcy
Executive Producer:
David Whealy
Peter D. Graves
Matthew Street
Christopher Mapp
First Assistant Camera:
David Elmes
Ricky Schamburg
First Assistant Director:
Phil Jones
First Assistant Editor:
Ceinwen Berry
Foley Editor:
Adam Connelly
Blair Slater
Gaffer:
Reg Garside
Hairstylist:
Hayley Atherton
Shane Thomas
Key Grip:
David Nichols
Line Producer:
Anne Bruning
Location Manager:
Mary Barltrop
Makeup Artist:
Shane Thomas
Hayley Atherton
Zeljka Stanin
Makeup Supervisor:
Paul Pattison
Modeling:
Mark Guffogg
Music Editor:
Craig Beckett
Music Supervisor:
Norman Parkhill
Novel:
John Marsden
Original Music Composer:
Johnny Klimek
Reinhold Heil
Painter:
William Kensell
Producer:
Michael Boughen
Andrew Mason
Production Design:
Robert Webb
Production Manager:
Libby Sharpe
Property Master:
Katie Sharrock
Pyrotechnic Supervisor:
Lou Stefanel
Pyrotechnician:
Tom Davies
Leo Henry
Rigging Gaffer:
Mark Harris
Scenic Artist:
Martin Bruveris
Script Supervisor:
Kristin Voumard
Set Decoration:
Beverley Dunn
Set Designer:
Amanda Clarke
Sound Effects Editor:
Cameron Grant
William Ward
Sound Re-Recording Mixer:
Gethin Creagh
Robert Sullivan
Special Effects Supervisor:
Dan Oliver
Steadicam Operator:
Marc Spicer
Still Photographer:
Brook Rushton
Simon Cardwell
Stunt Coordinator:
Tony Lynch
Glenn Suter
Chris Anderson
Supervising Art Director:
Michelle McGahey
Supervising Music Editor:
Tim Ryan
Supervising Sound Editor:
Andrew Plain
Title Designer:
Daniel Balzer
Daniel Bavell
Morten Rowley
Visual Effects Producer:
Alexandra Taussig
Mathew Harrington
Visual Effects Supervisor:
Sigi Eimutis
Tony Cole
Chris Godfrey
Writer:
Stuart Beattie
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.