A work in constant progress (and occasional regress).
Release Date:
October 16, 2020
Original Title:
Love and Monsters
Alternate Titles:
Aşk ve Canavarlar
De amor y monstruos
Love and Monsters AKA Monster Problems
Monster Problems
Monster Problems AKA Love and Monsters
Кохання і монстри
Проблемы с монстром
愛與怪物
Genres:
Action | Adventure | Comedy | Fantasy | Science Fiction
Production Companies:
21 Laps Entertainment
Production Countries:
Australia | Canada | United States of America
Ratings / Certifications:
AU: PG BE: 16 BR: 12 DE: 16 ES: 12 FR: 12 GB: 12 GR: 13+ HU: 16 IE: 12 JP: PG12 NL: 12 PL: 16 PT: M/14 SE: 15 SG: PG13 TR: 13+ US: PG-13
Runtime: 109
Seven years since the Monsterpocalypse began, Joel Dawson has been living underground in order to survive. But after reconnecting over radio with his high school girlfriend Aimee, Joel decides to venture out to reunite with her, despite all the dangerous monsters that stand in his way.
ADR Voice Casting:
Barbara Harris
Additional Editing:
Yvonne Valdez
Additional Music:
Buck Sanders
Animation Supervisor:
Matt Everitt
Art Direction:
Mark Dawson
Assistant Art Director:
Peter Kodicek
Assistant Costume Designer:
Ann Steel
Assistant Sound Editor:
Veronica Li
Jesse Rosenman
Casting:
Joseph Middleton
Janelle Scuderi
Tom McSweeney
David Newman
Chief Lighting Technician:
Reg Garside
Co-Producer:
Becca Edelman
Costume Designer:
Luis Sequeira
Costume Supervisor:
Mel Dykes
Dialogue Editor:
David V. Butler
Vanessa Lapato
Digital Intermediate Colorist:
Ismael Salas
Digital Intermediate Editor:
Noel Albornoz
Director:
Michael Matthews
Director of Photography:
Lachlan Milne
Editor:
Nancy Richardson
Debbie Berman
Executive Producer:
John H. Starke
First Assistant Director:
James McGrady
First Company Grip:
Simon Cooke
Foley Artist:
Steve Baine
Foley Mixer:
Peter Persaud
Graphic Designer:
George Kabot
Hair Designer:
Rick Findlater
Key Makeup Artist:
Tia Stephanou
Makeup Artist:
Jacqueline Priem
Makeup Designer:
Rick Findlater
Music Editor:
Jay Duerr
Del Spiva
Nicholas Fitzgerald
Daniel Waldman
Original Music Composer:
Marcus Trumpp
Marco Beltrami
Post Production Supervisor:
Eric Bergman
Producer:
Shawn Levy
Dan Cohen
Production Design:
Dan Hennah
Production Manager:
Eric Bergman
Production Sound Mixer:
Paul 'Salty' Brincat
Production Supervisor:
Jennifer Teves
Screenplay:
Matthew Robinson
Brian Duffield
Script Supervisor:
Kristin Voumard
Second Assistant Director:
Joanne Pearce
Second Unit Director:
Brian Smrz
Second Unit Director of Photography:
David Burr
Second Unit First Assistant Director:
Andrew Power
Set Decoration:
Kathryn Lim
Set Designer:
Aidan Gray
Sound Effects Editor:
Emma Present
Chris Diebold
Adam Kopald
Goeun Lee Everett
Sound Re-Recording Mixer:
Mark Paterson
Tony Lamberti
Special Effects Supervisor:
Brian Cox
Steadicam Operator:
Andrew 'A.J.' Johnson
Still Photographer:
Jasin Boland
Story:
Brian Duffield
Storyboard Artist:
Graeme Callander
Stunt Coordinator:
Glenn Suter
Stunts:
Alex Kuzelicki
Stephen Murdoch
Robbie Clissold
Rumi Kikuchi
Amanda Giblin
Lawrence Woodward
Yoshinao Aonuma
Miyuki Lotz
Garreth Hadfield
John Reynolds
Raelene Chapman
Marco Sinigaglia
Brigette Paroissien
Riley Suter
Blake Lindsell
Nigel Harbach
Beau Karolos
Supervising Art Director:
Eugene Intas
Supervising Sound Editor:
Erik Aadahl
Ethan Van der Ryn
Unit Production Manager:
John H. Starke
Sharon Miller
Unit Publicist:
Fiona Searson
VFX Artist:
Kutay Cengil
Visual Effects Coordinator:
Debbi Nikkel
Visual Effects Producer:
Arthur Windus
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.