A work in constant progress (and occasional regress).
Release Date:
October 8, 1992
Original Title:
The Last Days of Chez Nous
Genres:
Comedy | Drama | Romance
Production Companies:
Australian Broadcasting Corporation
Australian Film Commission
Australian Film Finance Corporation
Jan Chapman Productions
Production Countries:
Australia
Ratings / Certifications:
US: R
Runtime: 93
The story of sisters Vicki and Beth, when Vicki begins an affair with Beth's intriguing French husband.
Art Department Coordinator:
Tracey Hyde-Moxham
Art Direction:
Catherine Silm
Assistant Art Director:
Charlotte Dirickx
Associate Producer:
Mark Turnbull
Boom Operator:
Gerry Nucifora
Catherine Gross
Camera Operator:
Geoffrey Simpson
Clapper Loader:
Adrien Seffrin
Construction Manager:
Fernando Valento
Costume Design:
Janet Patterson
Dialogue Editor:
Tim Jordan
Director:
Gillian Armstrong
Director of Photography:
Geoffrey Simpson
Editor:
Nicholas Beauman
First Assistant Director:
Mark Turnbull
Focus Puller:
Martin Turner
Foley Artist:
Gerry Long
Foley Recordist:
Steve Burgess
Gaffer:
Reg Garside
Hairstylist:
Cheryl Williams
Key Grip:
Grahame Litchfield
Makeup Artist:
Lesley Vanderwalt
Original Music Composer:
Paul Grabowsky
Producer:
Jan Chapman
Production Design:
Janet Patterson
Runner Art Department:
Andrew Short
Second Assistant Director:
P.J. Voeten
Set Decoration:
Kerrie Brown
Sound:
Yuri Worontschak
Ben Osmo
Sound Mixer:
Gethin Creagh
Steadicam Operator:
Ian Jones
Still Photographer:
Robert McFarlane
Supervising Sound Editor:
Karin Whittington
Third Assistant Director:
John Martin
Title Designer:
Belinda Bennetts
Writer:
Helen Garner
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.