A work in constant progress (and occasional regress).
Release Date:
December 12, 2005
Original Title:
King Kong
Alternate Titles:
King Kong
کینگ کنگ
キング・コング:2005
金剛
Genres:
Action | Adventure | Drama
Production Companies:
Big Primate Pictures
MFPV Film
Universal Pictures
WingNut Films
Production Countries:
Germany | New Zealand | United States of America
Ratings / Certifications:
AU: M BE: 14 BR: 12 CA: 14A CZ: 15+ DE: 12 DK: 11 ES: 12 FI: K-12 FR: TP GB: 12A GR: PG HU: 12 IE: 12A KR: 15 MX: B NL: 12 NO: 12 PL: 12 PT: M/12 RO: 12 RU: 12+ SE: 11 TW: 保護級 US: PG-13
Runtime: 187
In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with the leading lady.
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3D Supervisor:
Guy Williams
ADR Editor:
Polly McKinnon
ADR Mixer:
Brian Kahanek
ADR Recordist:
Rick Canelli
ADR Supervisor:
Nigel Stone
Accountant:
Linda Klein-Nixon
Additional Editing:
Jabez Olssen
Additional Second Assistant Director:
Richard Matthews
Additional Visual Effects:
Heather Clarke
Aerial Director of Photography:
David B. Nowell
Animation:
Joel Fletcher
Randy Link
Patrick Kalyn
Graham Binding
Animation Director:
Eric Leighton
Christian Rivers
Animation Supervisor:
Atsushi Sato
Animation Technical Director:
William Dwelly
Armorer:
Gunner Ashford
Art Department Coordinator:
Kristie Breslin
Art Department Manager:
Chris Hennah
Art Direction:
Joe Bleakley
Simon Bright
Assistant Accountant:
Jessica A. Gihon
Assistant Art Director:
Jacqui Allen
Assistant Costume Designer:
Eliza Godman
Assistant Dialogue Editor:
Neil Aldridge
Assistant Editor:
Mark Hawthorne
Assistant Grip:
Noor Razzak
Assistant Makeup Artist:
Hayley Atherton
Assistant Production Coordinator:
Aimee Aspinall
Assistant Script:
Aria Harrison
Associate Producer:
Annette Wullems
Best Boy Electric:
Huw Griffiths
Best Boy Grip:
Dion Hartley
Boom Operator:
Corrin Ellingford
CG Artist:
Leigh van der Byl
CG Supervisor:
Matt Aitken
CGI Supervisor:
Greg Butler
Camera Operator:
Rhys Duncan
Camera Trainee:
Alys Rowe
Carpenter:
Kevin Anderton
Casting:
John Hubbard
Liz Mullane
Victoria Burrows
Dan Hubbard
Ann Robinson
Casting Assistant:
Kelly Valentine Hendry
Choreographer:
Shona McCullagh
Clapper Loader:
Alexandra Bishop
Co-Producer:
Eileen Moran
Philippa Boyens
Color Grading:
Nadia Diggins
Color Timer:
Lynne Reed
Compositing Artist:
Kelly Port
Compositing Supervisor:
Erik Winquist
Conceptual Design:
Jeremy Bennett
Alan Lee
Conductor:
Pete Anthony
Construction Coordinator:
Ed Mulholand
Construction Foreman:
Colin Davidson
Costume Assistant:
Lucy Adams
Costume Coordinator:
Cilla Leckie
Costume Design:
Terry Ryan
Costume Supervisor:
Carolyn M. Fenton
Costumer:
Lucy McLay
Craft Service:
Chris Walker
Creature Design:
Robert Baldwin
Daniel Falconer
Creature Technical Director:
Richard Taylor
Christine Arboit
Data Wrangler:
Andrew Lambert
Dialect Coach:
Julie Adams
Dialogue Coach:
Tanya Blumstein
Dialogue Editor:
Ray Beentjes
Digital Colorist:
Jan Kruse
Digital Compositor:
Ed Hawkins
Digital Compositors:
Dan Akers
Digital Effects Producer:
Cyndi Ochs
Digital Effects Supervisor:
Dan Lemmon
Digital Intermediate Assistant:
Jayne Herrmann
Digital Intermediate Editor:
Holger Spill
Director:
Peter Jackson
Director of Photography:
Andrew Lesnie
Dolby Consultant:
Bruce Emery
Dolly Grip:
Kayne Asher
Draughtsman:
Darryl Longstaffe
Editor:
Jamie Selkirk
Electrician:
Tim Stratton
Extras Casting:
Sarah Valentine
Extras Casting Coordinator:
Miranda Rivers
Extras Dresser:
Paul Hambleton
First Assistant Camera:
Sally Eccleston
Colin Deane
First Assistant Director:
Carolynne Cunningham
First Assistant Editor:
David Birrell
First Assistant Sound Editor:
Martin Kwok
Focus Puller:
Mike Knudson
Foley Artist:
Carrie McLaughlin
Foley Editor:
Peter Mills
Craig Tomlinson
Foley Recordist:
Robyn McFarlane
Foley Supervisor:
John Simpson
Gaffer:
Reg Garside
Graphic Designer:
Mark Cameron Williams
Greensman:
Daniel Aird
Grip:
Darren Bradnock
Hair Designer:
Peter Swords King
Hair Supervisor:
Rick Findlater
Hairstylist:
Susie Glass
Helicopter Camera:
Tony Monk
Key Grip:
Tony Keddy
Lead Animator:
Jamie Beard
Lead Painter:
Genevieve Cooper
Lighting Technician:
Taipua Adams
Location Assistant:
Mathew Gordon
Location Manager:
Jared Connon
Location Scout:
Carl Bellavia
Machinist:
Julie Zavala Ron
Makeup Artist:
Corinne Bossu
Makeup Designer:
Peter Swords King
Makeup Effects:
Steven Boyle
Makeup Supervisor:
Richard Taylor
Matte Painter:
Peter Baustaedter
Motion Capture Artist:
James Van Der Reyden
Music Consultant:
Stuart Michael Thomas
Music Coordinator:
Nigel Scott
Music Editor:
Tim Starnes
Musician:
Armen Ksajikian
Orchestrator:
Pete Anthony
Original Concept:
Merian C. Cooper
Edgar Wallace
Original Music Composer:
James Newton Howard
Mel Wesson
David Long
Painter:
Stephen Crene
Post Production Coordinator:
Shara Hudson
Post Production Supervisor:
Pippa Anderson
Producer:
Jan Blenkin
Carolynne Cunningham
Peter Jackson
Fran Walsh
Production Assistant:
Emily Griffiths
Production Coordinator:
Hannah Clarke
Production Design:
Grant Major
Production Executive:
Jeff Barnes
Production Manager:
Belindalee Hope
Production Runner:
Jonny Doig
Production Sound Mixer:
Chris Hiles
Projection:
Aaron Cubis
Property Master:
Nick Weir
Propmaker:
Pete Butters
Publicist:
Philippa Wood
Researcher:
Sarah Milnes
Rigging Gaffer:
David Brown
Rotoscoping Artist:
Evan Christie
Script Supervisor:
Victoria Sullivan
Merrin Ruck
Veronique Lawrence
Sculptor:
Christopher Aitken
Second Assistant Camera:
Steve Allanson
Second Assistant Director:
Stephanie Weststrate
Second Second Assistant Director:
Skot Thomas
Second Unit Director:
Randall William Cook
Senior Animator:
Keith Huggins
Senior Visual Effects Supervisor:
Joe Letteri
Sequence Leads:
Colin Alway
Set Costumer:
Simon Ward
Set Decoration:
Greg Cockerill
Dan Hennah
Simon Bright
Set Designer:
Miriam Bellard
Set Dresser:
Andy McLaren
Set Medic:
Andy Buckley
Software Engineer:
Shane Cooper
Sound Designer:
Brent Burge
David Farmer
Dave Whitehead
Sound Editor:
Justin Webster
Hayden Collow
Melanie Graham
Katy Wood
Matthew Lambourn
Sound Effects Editor:
Hayden Collow
Sound Engineer:
Derek Casari
Sound Re-Recording Mixer:
Tom Johnson
Michael Semanick
Christopher Boyes
Michael Hedges
Sound Recordist:
Hammond Peek
Special Effects Assistant:
Jonathan Roy Grindlay
Special Effects Coordinator:
Steve Ingram
Karl Chisholm
Special Effects Technician:
Ross Anderson
Stand In:
Peter Russell
Standby Painter:
Ben Milsom
Steadicam Operator:
Simon Harding
Still Photographer:
Pierre Vinet
Stunt Coordinator:
Kirk Maxwell
Shane Dawson
Rodney Cook
Chris Anderson
Stunt Double:
Tony Marsh
Min Windle
Shane Rangi
Ryan Carey
Stunts:
Mana Hira Davis
Clint Elvy
Andrew Stehlin
Sharon Maxwell
Morgan Evans
Amanda Foubister
Jonathan Costelloe
Winham Hammond
Baz Karbouris
Jason Tahu
Tim Wong
Mark Trotter
Sebastian Foxx
David J. Muzzerall
Steve Reinsfield
Sean Button
Dayna Grant
Supervising Art Director:
Dan Hennah
Supervising Music Editor:
Jim Weidman
Supervising Sound Editor:
Mike Hopkins
Ethan Van der Ryn
Systems Administrators & Support:
Ben Hall
Telecine Colorist:
David Hollingsworth
Thanks:
Peter Cobbin
Third Assistant Director:
Del Chatterton
Title Designer:
Chris Guise
Transportation Coordinator:
Collin Butrum
Unit Manager:
Emily Ireland
Unit Production Manager:
Anne Bruning
Unit Publicist:
Guy Adan
Utility Stunts:
Peter Dillon
VFX Artist:
Mario de Dios
VFX Director of Photography:
Alex Funke
Visual Effects:
Hugo Dominguez
Jeremy Bennett
Visual Effects Coordinator:
Rebecca Downes
Visual Effects Editor:
Matt Holmes
Visual Effects Producer:
Vicki Galloway Weimer
Visual Effects Production Assistant:
Juliette Davis
Visual Effects Production Manager:
Marion Davey
Visual Effects Supervisor:
George Murphy
Ben Snow
Scott E. Anderson
Brian Van't Hul
Vocals:
Karen Harper
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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