Richard Deusy

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Additional information:

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Color Grading:
2018  To the Ends of the World
2019  Casanova, Last Love

Colorist:
1997  Long Live the Republic
1997  Marquise
2001  In Praise of Love
2017  Les Misérables
2018  To the Ends of the World
2019  Casanova, Last Love
2019  Les Misérables
2019  The Best Is Yet to Come
2020  Summer of 85
2021  Bigger Than Us
2022  Bigbug
2022  Both Sides of the Blade
2022  Canailles
2022  Freestyle
2022  Our Brothers
2022  Stars at Noon
2022  Sundown
2022  The Family
2022  The Little Gang
2023  Consent
2023  Grand Expectations
2023  Love & Crashes
2023  Normal
2023  Sage homme
2023  The Tower
2023  Two Tickets to Greece
2023  Under the Rainbow
2024  An Ordinary Case
2024  Back to Alexandria
2024  Being Blanche Houellebecq
2024  Le Panache
2024  Meet the Leroys
2024  Never Let Go
2024  Rachel's Game
2024  The Good Teacher
2024  The Last Men
2024  The Scammers
2024  When Fall Is Coming
2025  The 4th Wall
????  Cold Storage

Digital Intermediate:
1997  Long Live the Republic
1997  Marquise
2001  In Praise of Love
2011  The Artist
2017  Les Misérables
2018  To the Ends of the World
2019  Casanova, Last Love
2019  Les Misérables
2019  The Best Is Yet to Come
2020  Summer of 85
2021  Bigger Than Us
2022  Bigbug
2022  Both Sides of the Blade
2022  Canailles
2022  Freestyle
2022  Our Brothers
2022  Stars at Noon
2022  Sundown
2022  The Family
2022  The Little Gang
2023  Consent
2023  Grand Expectations
2023  Love & Crashes
2023  Normal
2023  Sage homme
2023  The Tower
2023  Two Tickets to Greece
2023  Under the Rainbow
2024  An Ordinary Case
2024  Back to Alexandria
2024  Being Blanche Houellebecq
2024  Le Panache
2024  Meet the Leroys
2024  Never Let Go
2024  Rachel's Game
2024  The Good Teacher
2024  The Last Men
2024  The Scammers
2024  When Fall Is Coming
2025  The 4th Wall
????  Cold Storage

Colorist:
2014  Li'l Quinquin

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.