An Ordinary Case (2024) [N/A]

Release Date:
September 11, 2024

Original Title:
Le Fil

Alternate Titles:
An Ordinary Case
The Thread

Genres:
Crime | Drama

Production Companies:
France 2 Cinéma
Zazi Films
Zinc

Production Countries:
France

Ratings / Certifications:
FR: TP 

Runtime: 115

Jean Monier is a disillusioned lawyer, appointed to defend Nicolas Milik, a man accused of murdering his wife. While everything points to his guilt, Monier takes up the case, convinced of his innocence.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

ADR Supervisor:
Florian Cornet

Assistant Production Manager:
Candice Fourmentin

Assistant Sound Editor:
Florent Denizot

Boom Operator:
Vivien Mergot

Casting:
Agathe Hassenforder
Anne Fremiot

Cinematography:
Jean-François Hensgens

Co-Producer:
Daniel Auteuil

Colorist:
Richard Deusy

Dialogue Editor:
Guadalupe Cassius

Digital Imaging Technician:
Olivier Patron

Director:
Daniel Auteuil

Editor:
Valérie Deseine

Extras Casting:
Anne Fremiot

First Assistant Camera:
Judith Tribault

First Assistant Director:
Frédéric Gérard

Foley Artist:
Vincent Milner

Gaffer:
Stéphane Bourgoin

Key Grip:
Renaud Fidon

Key Hair Stylist:
Laurent Bozzi

Location Scout:
Antoine Dubois

Music:
Gaspar Claus

Novel:
Jean-Yves Moyart

Post Production Supervisor:
Gaelle Godard-Blossier

Producer:
Nelly Auteuil
Hugo Gélin

Property Master:
Caroline Brenot

Screenplay:
Steven Mitz
Daniel Auteuil

Script Supervisor:
Otilia Casteels

Second Assistant Camera:
Gaspard Soboul

Sound Assistant:
Anton Grange

Sound Editor:
Nicolas Bouvet

Sound Engineer:
Charles Michaud

Sound Re-Recording Mixer:
Thomas Wargny Drieghe

Sound Recordist:
Nicolas Provost

Still Photographer:
Julien Panié

Third Assistant Director:
François Jaouën
Camille Sanchez

Visual Effects Supervisor:
Benjamin Ageorges

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.