A work in constant progress (and occasional regress).
Release Date:
July 18, 2024
Original Title:
وحشتيني
Alternate Titles:
Back to Alexandria
Retour en Alexandrie
Wahashtini
وحشتيني
Genres:
Comedy | Drama
Production Companies:
DFI
Les Films de la Capitaine
RTS
Sunnyland Film
Tipi'mages
Production Countries:
Egypt | France | Qatar | Switzerland
Ratings / Certifications:
N/A
Runtime: 95
After more than 20 years, Sue returns from Switzerland to her home country Egypt because her mother Fairouz is in a hospital bed. Sue ran away from the eccentric aristocrat as a young adult. Now she feels compelled to meet her again.
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Art Direction:
Salma Sabri
Assistant Decorator:
Magali Baud
Boom Operator:
Théo Viroton
Nadine Häusler
Camera Operator:
Thomas Hardmeier
Casting Associate:
Sophie Sallin
Co-Producer:
Laurine Pelassy
Colorist:
Richard Deusy
Costume Design:
Anne Van Brée
Digital Imaging Technician:
Léo Weissenbach
Director:
Tamer Ruggli
Director of Photography:
Thomas Hardmeier
Editor:
Thomas Bachmann
Electrician:
Romain Schar
Mathieu Werlen
First Assistant Camera:
Maxime Raymond
First Assistant Director:
Eissa Ahmed
Olivier Jacquet
Gaffer:
Greg Pedat
Hair Department Head:
Nathalie Dunand-Melloni
Hairstylist:
Julien Parizet
Key Grip:
Ahmed Baskota
Urs Schmid
Key Makeup Artist:
Nathalie Tanner
Location Manager:
Sara Shazli
Makeup Artist:
Mina Matsumura
Original Music Composer:
Pierre Funck
Producer:
Gerard Monier
Francine Lusser
Production Design:
Sébastian Birchler
Production Manager:
Rym Hachimi
Props:
Olga Fabrizio
Silvia Thomann
Second Assistant Camera:
Tanguy Lejeune
Merna Hassan
Second Assistant Director:
Jean-Christophe Muller
Sound Editor:
Grégoire Chauvot
Sound Mixer:
Jürg Lempen
Sound Re-Recording Mixer:
Denis Séchaud
Wardrobe Coordinator:
Catherine Schneider
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.