A work in constant progress (and occasional regress).
Release Date:
November 14, 2019
Original Title:
Les Misérables
Alternate Titles:
Die Wütenden - Les Misérables
I miserabili
Les Misérables (2019)
Los miserables
Os Miseráveis
悲慘世界
레미제라블
Genres:
Crime | Drama | Thriller
Production Companies:
Lyly Films
Rectangle Productions
Srab Films
Production Countries:
France
Ratings / Certifications:
BE: 16 CH: 16|14 DE: 16 DK: 15 FR: TP GR: K15 IL: הותר מגיל 14 KR: 15 NL: 16 NO: 12 PT: M/16 RU: 18+ SE: 11 SK: 15 US: R
Runtime: 104
Stéphane has recently joined the Anti-Crime Squad in Montfermeil, in the suburbs of Paris, France, where Victor Hugo set his famed novel “Les Miserables”. Alongside his new colleagues Chris and Gwada – both experienced members of the team – he quickly discovers tensions running high between local gangs. When the trio finds themselves overrun during the course of an arrest, a drone captures the encounter, threatening to expose the reality of everyday life.
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Associate Producer:
Alice Girard
Sylvie Pialat
Michel Merkt
Benoît Quainon
Casting:
Elise Vogel
Colorist:
Richard Deusy
Costume Design:
Marine Galliano
Director:
Ladj Ly
Director of Photography:
Julien Poupard
Editor:
Flora Volpelière
First Assistant Director:
Arthur Guerrand
First Assistant Editor:
Guillaume Guerry
Foley Artist:
Jacek Wiśniewski
Makeup Department Head:
Sarah Pariset
Original Music Composer:
Pink Noise
Producer:
Christophe Barral
Toufik Ayadi
Production Manager:
Laurène Ladoge
Script Supervisor:
Jeanne Fontaine-Sarda
Set Decoration:
Karim Lagati
Sound Editor:
Jérôme Gonthier
Matthieu Autin
Sound Re-Recording Mixer:
Marco Casanova
Sound Recordist:
Arnaud Lavaleix
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.