A work in constant progress (and occasional regress).
Release Date:
September 22, 2021
Original Title:
Bigger Than Us
Alternate Titles:
Bigger Than Us
Bigger Than Us – Un mondo insieme
Jovens e Ativistas
Kendimizden Büyük
Vivre en grand
Větší než my
Genres:
Documentary
Production Companies:
All You Need is Prod
Big Mother Productions
Elzévir Films
Production Countries:
France
Ratings / Certifications:
AU: M BR: 10 CH: 12 DE: 12 KR: All NZ: M
Runtime: 95
For six years, Melati, 18, has been fighting the plastic pollution that is ravaging her country, Indonesia. Like her, a generation is rising up to fix the world. Everywhere, teenagers and young adults are fighting for human rights, the climate, freedom of expression, social justice, access to education or food. Dignity. Alone against all odds, sometimes risking their lives and safety, they protect, denounce and care for others. The earth. And they change everything. Melati goes to meet them across the globe. At a time when everything seems to be or has been falling apart, these young people show us how to live. And what it means to be in the world today.
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Assistant Sound Editor:
Valère Raigneau
Associate Producer:
Ludovic Dardenay
Camera Operator:
Magali Sylvestre de Sacy
Tess Barthes
Colorist:
Richard Deusy
Director:
Flore Vasseur
Director of Photography:
Christophe Offenstein
Editor:
Pierre Haberer
Aurélie Jourdan
First Assistant Director:
Dorothée Martin
Music:
Rémi Boubal
Producer:
Denis Carot
Flore Vasseur
Marion Cotillard
Production Manager:
Konstantinos Koukoulis
Marcela Bittencourt
Sound:
Fanny Weinzaepflen
Jean-Luc Audy
Sound Editor:
Benjamin Rosier
Sound Mixer:
Guilhem Domercq
Visual Effects Director:
Stéphane Bidault
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.