A work in constant progress (and occasional regress).
Release Date:
December 4, 2019
Original Title:
Le Meilleur reste à venir
Alternate Titles:
A java még hátravan
Das Beste kommt noch
Il meglio deve ancora venire
Lo mejor está por venir
O Melhor Ainda Está Para Vir
O Melhor Está Por Vir
The Best Is Yet to Come
最好的还未到来
陪你玩最大
Genres:
Comedy | Drama
Production Companies:
Belga Productions
CN8 Productions
Chapter 2
Fargo Films
M6 Films
Onyx Films
Pathé
Production Countries:
Belgium | France
Ratings / Certifications:
BR: L CA: G CH: 6 DE: 12 DK: 15 FR: U IT: T MX: B-15 NL: 14 NO: 12 PT: M/12
Runtime: 117
Following a huge misunderstanding, two friends always decide to tackle everything to make up for lost time.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Supervisor:
Anais Letiexhe
Additional Grip:
Michel Benoit
Grégoire Benzaquen
Pierre Helie De Peretti
Assistant Art Director:
Anne-Sophie Delaunay
Assistant Camera:
Hugo Gastaud
Assistant Production Design:
Stephanie Laurent Delarue
Assistant Production Manager:
Camille Nahassia
Assistant Sound Editor:
Antoine Citrinot
Assistant Unit Manager:
Franck Filippelli
Associate Producer:
Marie de Cenival
Best Boy Electric:
Eric Garzena
Best Boy Grip:
François Perrault-Alix
Boom Operator:
Romain Cadilhac
Clément Trahard
Camera Operator:
Eric Bialas
Casting:
Isabelle Kramrick
Co-Producer:
Ardavan Safaee
Matthieu Delaporte
Alexandre de La Patellière
Colorist:
Richard Deusy
Ines Sanchez
Conductor:
Gisèle Gérard-Tolini
Costume Design:
Anne Schotte
Costume Supervisor:
Ayushi Jain
Costumer:
Eric Bigot
Indiana Sylla
Dialogue Editor:
Charles de Ville
Digital Compositor:
François Masle
Irène Cunat
Philippe Desfretier
Thibaut Granier
Director:
Matthieu Delaporte
Alexandre de La Patellière
Director of Photography:
Guillaume Schiffman
Editor:
Célia Lafitedupont
Sarah Ternat
Electrician:
Hans Krumenacker
Mathieu Poudevigne
Executive Producer:
Déborah Benattar
Extras Casting Assistant:
Tom Hashemi
First Assistant Camera:
Guillaume Genini
David Ciccodicola
First Assistant Director:
Dylan Talleux
Joseph Rapp
Prince Shah
First Assistant Editor:
Aurèle Collin
Foley Recordist:
David Davister
Gaffer:
Loïc Limosin
Grip:
Giovanni Quéné
Lionel Kuhn
Hairstylist:
Stéphane Malheu
Géraldine Lemaire
Key Grip:
Laurent Menoury
Key Makeup Artist:
Michèle Constantinides
Location Scout:
Michèle Massé
Pierre Soubestre
Melvin Nkosi
François Pujol
Makeup Department Head:
Jean-Christophe Roger
Music Supervisor:
Rebecca Delannet
Angele Monchaux
Astrid Gomez-Montoya
Online Editor:
Jean-Louis Guichaoua
Orchestrator:
Gisèle Gérard-Tolini
Original Music Composer:
Jérôme Rebotier
Post-Production Manager:
Nicolas Baudens
Producer:
Dimitri Rassam
Jérôme Seydoux
Production Design:
Marie Cheminal
Production Manager:
Patrice Arrat
François Bernard
Kiran Shetty
Prosthetic Designer:
Pierre-Olivier Persin
Rigging Grip:
Patrick Chizallet
Script Supervisor:
Chantal Pernecker
Second Assistant Camera:
Jana Noel
Second Assistant Director:
Sonia Mandelbaum
Jiya Bhardwaj
Mukesh Kumaravel
Set Dresser:
Cécile Hurlé
Sound:
Miguel Rejas
Julie Brenta
Séverin Engler
Sound Re-Recording Mixer:
Marc Doisne
Special Effects:
Max Garnier
Charles-Axel Vollard
Special Effects Coordinator:
Jérôme Miel
Special Effects Technician:
Jean-Claude Dauphinot
Still Photographer:
Mika Cotellon
Stunt Coordinator:
Sébastien Seveau
Patrick Cauderlier
Stunt Driver:
Jack-Alexandre Soufflard
Sybille Blouin
Clément Delporte
Alexandre Rambure
Pascal Roblin
Stunts:
Clément Huet
Third Assistant Director:
Shubhank Rishi
Melvin Nkosi
Unit Manager:
Charles Zemer
Emmanuel Butelet
Jacquot Clotilde
Antoine Boulay
Visual Effects Coordinator:
Théophile Dhuicque
Visual Effects Supervisor:
Thomas Duval
Wardrobe Coordinator:
Laure Villemer
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.