A work in constant progress (and occasional regress).
Release Date:
February 11, 2022
Original Title:
Bigbug
Alternate Titles:
Big Bug
BigBug
Большой баг
Критичний баг
บิ๊กบั๊ก
ビッグバグ
乌龙智慧管家
빅버그
Genres:
Comedy | Science Fiction
Production Companies:
Eskwad
Gaumont
Tapioca Films
Production Countries:
France
Ratings / Certifications:
BR: 16 DE: 12 FR: 10 GB: 15 GR: 16+ KR: 15 RO: 18 SG: M18 US: R
Runtime: 111
Set in the world of 2045, where communities have robotic helpers, a group of suburbanites are locked in for their protection by their household robots, while a rogue, self-aware AI android revolt uprising takes place outside.
ADR & Dubbing:
Brooke Newton
ADR Editor:
Anne Delacour
Camera Operator:
Geoffroy St-Hilaire
Casting:
Marie-Sylvie Caillierez
Pierre-Jacques Bénichou
Colorist:
Richard Deusy
Costume Design:
Madeline Fontaine
Creature Design:
Pascal Molina
Jean-Christophe Spadaccini
Dialogue:
Guillaume Laurant
Dialogue Editor:
Nick Price
Anne Delacour
Director:
Jean-Pierre Jeunet
Director of Photography:
Thomas Hardmeier
Editor:
Hervé Schneid
Executive Producer:
Frédéric Doniguian
First Assistant Director:
Christophe Vassort
Gaffer:
Laurent Héritier
Graphic Designer:
Lilith Bekmezian
Benoit Maillochon
Peter McKinstry
Key Hairdresser:
Miguel Santos
Key Makeup Artist:
Nathalie Tissier
Line Producer:
Jean-Marc Deschamps
Original Music Composer:
Raphaël Beau
Post Production Supervisor:
Sidonie Waserman
Producer:
Jean-Pierre Jeunet
Richard Grandpierre
Production Design:
Aline Bonetto
Production Executive:
Jasmina Torbati
Screenplay:
Jean-Pierre Jeunet
Guillaume Laurant
Script Supervisor:
Aruna Villiers
Sound Designer:
Théo Serror
Sound Director:
Matthew Kollar
Sound Mixer:
Jean Umansky
Sound Re-Recording Mixer:
Vincent Arnardi
Special Effects Supervisor:
Pascal Molina
Supervising Sound Editor:
Selim Azzazi
Title Designer:
Batmanu
Visual Effects Director:
Alain Carsoux
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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