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Jamie Welsh

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Film Production

Color Designer:
2012  Homey

Colorist:
2012  Homey
2016  Trespass Against Us
2017  Jawbone
2017  The Sense of an Ending
2018  Hurricane
2018  Patrick
2019  Fisherman's Friends
2020  How to Build a Girl
2020  The Doorman
2021  Mothering Sunday
2021  The Last Bus
2022  Then Barbara Met Alan
2023  Kindling
2023  One Life

Digital Conform Editor:
2012  Homey
2013  I Give It a Year
2016  Trespass Against Us
2017  Jawbone
2017  The Sense of an Ending
2018  Hurricane
2018  Patrick
2019  Fisherman's Friends
2020  How to Build a Girl
2020  The Doorman
2021  Mothering Sunday
2021  The Last Bus
2022  Then Barbara Met Alan
2023  Kindling
2023  One Life

Digital Intermediate:
2012  Homey
2013  I Give It a Year
2015  Ex Machina
2016  Trespass Against Us
2017  Jawbone
2017  The Sense of an Ending
2018  Hurricane
2018  Patrick
2019  Fisherman's Friends
2020  How to Build a Girl
2020  The Doorman
2021  Mothering Sunday
2021  The Last Bus
2022  Then Barbara Met Alan
2023  Kindling
2023  One Life

Digital Intermediate Editor:
2012  Homey
2013  I Give It a Year
2013  Kick-Ass 2
2015  Ex Machina
2016  Trespass Against Us
2017  Jawbone
2017  The Sense of an Ending
2018  Hurricane
2018  Patrick
2019  Fisherman's Friends
2020  How to Build a Girl
2020  The Doorman
2021  Mothering Sunday
2021  The Last Bus
2022  Then Barbara Met Alan
2023  Kindling
2023  One Life

Click the heading above to show or hide the list.

TV Production

Colorist:
2019  Ghosts

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.