A work in constant progress (and occasional regress).
Release Date:
September 24, 2020
Original Title:
How to Build a Girl
Alternate Titles:
Como Se Tornar Influente
Cómo se hace una chica
Genres:
Comedy
Production Companies:
Film4 Productions
Lionsgate UK
Monumental Pictures
Tango Entertainment
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AU: MA15+ BR: 14 DE: 16 GB: 15 JP: R15+ NL: 16 RO: 18 US: R
Runtime: 102
The journey of Midlands teenager Johanna Morrigan, who reinvents herself as Dolly Wilde: fast-talking, lady sex-adventurer, moves to London, and gets a job as music critic in the hope of saving her poverty stricken family in Wolverhampton. Based on Caitlin Moran's bestselling semi-autobiographical novel.
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"B" Camera Operator:
Richard Swingle
ADR Editor:
Kallis Shamaris
Additional Casting:
Jo Farrugia
Art Direction:
John Reid
Assistant Costume Designer:
Ailsa Windsor
Johanna Elf
Assistant Location Manager:
Jess Waluga
Assistant Production Coordinator:
Cecily Colahan
Best Boy Electric:
Russell Tann
Book:
Caitlin Moran
Boom Operator:
Adrienne Taylor
Taz Fairbanks
Casting:
Shaheen Baig
Casting Assistant:
Gabby King
Casting Associate:
Michelle Giovanni
Co-Producer:
Bonnie-Chance Roberts
Colorist:
Jamie Welsh
Construction Manager:
Dave Reed
Costume Design:
Stephanie Collie
Costume Standby:
Rebecca Jempson
Hayley Clair Stewart
Costume Supervisor:
Beth Lewis
Dialogue Editor:
Laura MacGregor
Digital Imaging Technician:
Kristin Davis
Director:
Coky Giedroyc
Director of Photography:
Hubert Taczanowski
Editor:
Gareth C. Scales
Gary Dollner
Electrician:
Adrian Sworn
Damian Smyth
Executive Producer:
Caitlin Moran
Ollie Madden
Sue Bruce-Smith
Zygi Kamasa
Lia Buman
Daniel Battsek
Emma Berkofsky
Tim Headington
First Assistant "B" Camera:
Felix Pickles
First Assistant Camera:
James Harrison
First Assistant Director:
Robyn Henderson
First Assistant Editor:
Brianna Cook
Foley Artist:
Paul Hanks
Foley Mixer:
Simon Trundle
Gaffer:
Stuart King
Graphic Designer:
Lucy Bullen
Hair Designer:
Sue Wyburgh
Line Producer:
Michael S. Constable
Location Assistant:
Celia Linnett
Location Manager:
Paul Tomlinson
Makeup Artist:
Annie Russell
Siobhán McGrath
Makeup Designer:
Sue Wyburgh
Makeup Supervisor:
Bea Millas
Music Supervisor:
Nick Angel
Orchestrator:
Sam Thompson
Original Music Composer:
Oli Julian
Post Production Coordinator:
Alice Sainsbury
Producer:
Alison Owen
Debra Hayward
Production Accountant:
Susie Welstead
Production Coordinator:
Rachel Beaconsfield Press
Production Design:
Amanda McArthur
Production Manager:
Filiz-Theres Erel
Production Secretary:
Emily Perry
Louisa Shanks
Production Sound Mixer:
Rob Entwistle
Property Master:
Chris Ulusele
Script Supervisor:
Non Eleri Hughes
Second Assistant "B" Camera:
Toby McKay
Second Assistant Camera:
Loren Filis
Second Assistant Director:
Andrew Mackie
Second Unit Director:
Sven Arnstein
Set Decoration:
Celia De La Hey
Sound Designer:
Brian Gilligan
Sound Re-Recording Mixer:
Rob Hughes
Standby Art Director:
Robert Haynes
Stunt Coordinator:
Elaine Ford
Stunts:
Marvin Campbell
Russell MacLeod
Peter Pedrero
Neil Stoddart
Josie Forman
Supervising Dialogue Editor:
Pete Gates
Third Assistant Director:
Jack Wren
Unit Manager:
Mark Clementson
Unit Publicist:
Zoe Flower
Visual Effects Producer:
Carrie Rishel
Visual Effects Supervisor:
Sascha Fromeyer
Andy Quinn
Writer:
Caitlin Moran
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.