A work in constant progress (and occasional regress).
Release Date:
April 21, 2023
Original Title:
Kindling
Genres:
Drama | Romance
Production Companies:
Haymarket Films
Hyprr Films
LOWKEY Films
Limelight Productions
Lipsync Productions
Production Countries:
United Kingdom
Ratings / Certifications:
GB: 12A|12 IE: 12
Runtime: 93
A group of young men return to their home town in order to turn their friend's final days into a celebration of life and friendship.
"B" Camera Operator:
Howard Mills
ADR Mixer:
Mark Langlay-Smith
ADR Recordist:
Ben Carr
Nevan Brothers
Yanti Windrich
Additional Camera:
Stephanie Kennedy
Additional Casting:
Aisling Knight
Additional First Assistant Camera:
Deniz Yildiz
Rob Hawkins
Marco Alonso Monedero
Thomas Nicholson
Art Direction:
Beck Whelpdale
Assistant Editor:
Josh Ward
Shaquilla Alexander
Best Boy Electric:
James Edward Kilpatrick
Boom Operator:
Emanuele Gabbi
Rajan Thandi
Camera Trainee:
Mason Marshall
Casting Assistant:
Amy Dolan
Calypso Eaton
Casting Director:
Alex Johnson
Chaperone:
Laura Leigh
Colorist:
Jamie Welsh
Concept Artist:
Nick Ainsworth
Costume Design:
Libby Irwin
Dialogue Editor:
Tom Beale
Digital Imaging Technician:
Shaquilla Alexander
Director:
Connor O'Hara
Director of Photography:
David Wright
Drone Operator:
Chris Allan
Drone Pilot:
Nathan O'Kelly
Editor:
Sarah Peczek
Electrician:
Will Allen
Josh Higgins
Matt Hawkins
Executive Producer:
Terry Loveday
Norman Merry
Connor O'Hara
Andrew Loveday
Peter Hampden
David Bierley
Rachel Warren
Carl Shepherd
Richard Smithies
Sarah Donnelly
Dominic Ianno
Extras Casting:
Claire Scarlett
First Assistant Camera:
Stephanie Kennedy
First Assistant Director:
Joe Starrs
Top Tarasin
Foley Artist:
Karolina Jedrzejczyk
Gaffer:
Ian Stowe
Mathew Nolan
Graphic Designer:
Olga Gunderich
Michelle Crocker
Hair Designer:
Elizabeth Hart
Key Costumer:
Linyi Jia
Key Grip:
Ed Livesey
Line Producer:
Craig Tuohy
Laura Jackson
Location Assistant:
Peter Gugenheim
Location Coordinator:
Remi Morrison
Location Manager:
Saul Crockett
Makeup & Hair Assistant:
Jodie Collins
Makeup Designer:
Elizabeth Hart
Online Editor:
Ben North
Original Music Composer:
Harry Brokensha
Post Production Supervisor:
Lorraine Dryden
Producer:
Mark Foligno
Jamie Gamache
Production Accountant:
Rajiv Patel
Production Design:
Declan Price
Production Manager:
Jennie Scott
Production Sound Mixer:
Matthew McCabe
Script Editor:
Sarah Golding
Script Supervisor:
Mila Gisbert
Second Assistant Camera:
Apolo Wilson
Second Assistant Director:
Tom Taplin
Sound Designer:
Simon Haupt
Sound Editor:
Joshua Stanway
Sound Re-Recording Mixer:
Sven Taits
Daniel Bodsworth
Standby Art Director:
Shean Caisley
Cláudia Raquel Pinheiro
Steadicam Operator:
Henry Landgrebe
Still Photographer:
Percy Walker Smith
Storyboard Artist:
Thomas R Goode
Supervising Sound Editor:
Roland Heap
Third Assistant Director:
Jack Haynes
Underwater Camera:
Ezequiel Romero
Unit Publicist:
Abi Silverthorne
Visual Effects Coordinator:
Joni Andreou
Annie Gordon
Visual Effects Editor:
Nick Feldman
Visual Effects Producer:
Paul Driver
Visual Effects Supervisor:
David Fowler
Writer:
Connor O'Hara
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.