A work in constant progress (and occasional regress).
Release Date:
October 14, 2016
Original Title:
Trespass Against Us
Alternate Titles:
Codice criminale
Афера по-англійськи
血濃於罪
Genres:
Action | Crime | Drama
Production Companies:
Albert Granville
Animal Kingdom
Film4 Productions
Potboiler Productions
Protagonist Pictures
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
BR: 14 CA: 14A CH: 16 CZ: 15+ DE: 16 FR: U IE: 15 JP: R15+ KR: 15 NL: 12 RU: 18+ US: R
Runtime: 99
Three generations of the rowdy Cutler family live as outlaws in some of Britain's richest countryside – hunting hares, ram-raiding stately homes, and taunting the police. Struggling to retain a way of life fast becoming extinct, Chad Cutler ends up caught between his father's archaic principles and trying to do right by his kids, whilst the full force of the law is finally catching up with him.
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3D Supervisor:
Ben Shepherd
Art Department Assistant:
Emma Claire Johnson
Art Direction:
Andrea Matheson
Assistant Costume Designer:
Selene Pearson
Assistant Production Coordinator:
Sheerin Khosrowshahi-Miandoab
Associate Editor:
Stephen Boucher
Boom Operator:
Jay Radosavljevic
Camera Operator:
Pau Esteve Birba
Sergi Vilanova
Marc Gómez del Moral
Liam Iandoli
Casting:
Shaheen Baig
Casting Associate:
Anna McAuley
Aisha Bywaters
Co-Producer:
Jim Spencer
Colorist:
Adam Inglis
Jamie Welsh
Construction Manager:
Warren Lever
Costume Design:
Suzanne Cave
Costume Supervisor:
Becky Brown
Dialogue Editor:
Steve Single
Digital Compositor:
Nikolay Kolev
Tim Barter
Adrian Banton
Digital Imaging Technician:
John Paxton
Digital Intermediate:
Abigail McKenzie
Director:
Adam Smith
Director of Photography:
Eduard Grau
Editor:
Jake Roberts
Kristina Hetherington
Electrician:
Richard Gordon Charles Anderson
Executive Producer:
Rose Garnett
David Kosse
Tessa Ross
Frederick W. Green
Norman Merry
Nigel Williams
Zygi Kamasa
Natascha Wharton
Joshua Astrachan
Peter Hampden
Daniel Khalili
First Assistant Director:
Alex Rendell
Toby Ford
Floor Runner:
Stephen Gallacher
Foley:
Paul Hanks
Foley Mixer:
Simon Trundle
Foley Supervisor:
Phillip Barrett
Gaffer:
Andy Cole
Graphic Designer:
Rowena Oven
Grip:
Fric López Verdeguer
Hair Designer:
Sharon Martin
Hairstylist:
Francesco Alberico
Nana Fischer
Key Grip:
Sam Phillips
Location Manager:
Peter Gray
Makeup & Hair:
Joanne Walton
Makeup Artist:
Niamh O'Loan
Vale Von der Wehl
Makeup Designer:
Sharon Martin
Music:
Tom Rowlands
Music Editor:
Poppy Kavanagh
Music Supervisor:
Kle Savidge
Musician:
Vince Sipprell
Emma Smith
Post Production Coordinator:
Charlotte Dean
Post Production Supervisor:
Polly Duval
Producer:
Gail Egan
Alastair Siddons
Andrea Calderwood
Production Accountant:
Christian Holden
Production Coordinator:
Adele Steward
Production Design:
Nick Palmer
Production Manager:
Jennifer Wynne
Production Secretary:
Hannah Duncan
Property Master:
Adam McCreight
Script Supervisor:
Sylvia Parker
Second Assistant Director:
Andy Pearson
Second Unit Director:
Adrian Moat
Set Decoration:
Sophie Phillips
Sound Effects Editor:
Alastair Sirkett
Phil Lee
Sound Re-Recording Mixer:
Robert Farr
Sound Recordist:
Andy Hoare
Special Effects Supervisor:
Chris Reynolds
Standby Art Director:
Emily Woodward
Still Photographer:
Nicola Dove
Storyboard Artist:
Jonathan Maris
Stunt Coordinator:
Gareth Milne
Stunt Double:
Chris Newton
Lloyd Bass
Rachelle Beinart
Stunt Driver:
Andy Wareham
Andy Merchant
Stunts:
Jamie Millington
Jonathan Cohen
Gary Arthurs
Erol Mehmet
Supervising Sound Editor:
Ian Wilson
Steve Single
Third Assistant Director:
Heidi Gower
Title Designer:
Howard Watkins
Underwater Camera:
Tom Wilkinson
Unit Manager:
Jason Nightingale
Visual Effects Producer:
Paul Driver
Visual Effects Supervisor:
George Zwier
Writer:
Alastair Siddons
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.