A work in constant progress (and occasional regress).
Release Date:
November 12, 2021
Original Title:
Mothering Sunday
Alternate Titles:
Amores Prohibidos
Helligdag
Mātes svētdiena
Primavera en Beechwood
יום האם
母亲节幽会
Genres:
Drama | Romance
Production Companies:
BFI
Film4 Productions
Lipsync Productions
Number 9 Films
ZDF/Arte
Production Countries:
Germany | United Kingdom
Ratings / Certifications:
AU: MA15+ CA: 14A DE: 12 DK: 11 ES: 12 FI: K-12 GB: 15 HU: 18 IE: 16 IL: 16 JP: R15+ NL: 18 NZ: M PL: 16 PT: M/12 RU: 18+ SE: 7 US: R
Runtime: 104
On a warm spring day in 1924, house maid and foundling Jane Fairchild finds herself alone on Mother's Day. Her employers, Mr. and Mrs. Niven, are out and she has the rare chance to spend quality time with her secret lover. Paul is the boy from the manor house nearby, Jane's long-term love despite the fact that he's engaged to be married to another woman, a childhood friend and daughter of his parents' friends. But events that neither can foresee will change the course of Jane's life forever.
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ADR Mixer:
Mark Langlay-Smith
Yanti Windrich
Art Department Assistant:
Lizzy Wheeler
Art Direction:
Solomon Honey
Louise Lannen
Assistant Accountant:
Emmaline O'Toole
Rebecca Timlett
Jade-Elizabeth Masters
Assistant Costume Designer:
Sarah Young
Assistant Grip:
Dean Marshall
Assistant Location Manager:
Marialucia Apicella
Peter Kelly
Jennifer Kinnear
Assistant Production Coordinator:
Sophie Brook
Assistant Set Decoration:
Laurel Chick
Lettie Grumbar
Best Boy Electric:
Kieran Waites
Boom Operator:
Adam Ridge
Camera Trainee:
Abigayle Blacow
Casting:
Kharmel Cochrane
Casting Assistant:
Rose Powell
Colorist:
Jamie Welsh
Construction Manager:
Jason Reilly
Costume Coordinator:
Alfie Allin
Costume Design:
Sandy Powell
Costume Standby:
Samuel Clark
Kate-Beth Walling
Costume Supervisor:
Ashleigh Lennox
Dialect Coach:
Neil Swain
Digital Imaging Technician:
Núria Pérez
Director:
Eva Husson
Director of Photography:
Jamie D. Ramsay
Editor:
Emilie Orsini
Electrician:
Dury Burdis
Judge Burdis
Hektor Kalimerakis
Bruno Martins
Dominik Palgan
Executive Producer:
Peter Hampden
Norman Merry
Thorsten Schumacher
Daniel Battsek
Julia Oh
First Assistant Accountant:
Claire Quinn
First Assistant Camera:
Damien Walsh
First Assistant Director:
Adam Morris
First Assistant Editor:
Giles Burgess
Foley Artist:
Peter Burgis
Franziska Treutler
Foley Editor:
Maxwell MacRae
Franziska Treutler
Foley Mixer:
Albrecht Ihlenburg
Gaffer:
Julian White
Graphic Designer:
Lizzy Butler
Grip:
Jim Philpott
Hair Designer:
Nadia Stacey
Hair Supervisor:
Carolyn Cousins
Hairstylist:
Andrea Cracknell
Location Assistant:
Jake Day
Location Manager:
Tom Howard
Makeup & Hair:
Dani Casali
Claire Pompili
Makeup Artist:
Kat Ali
Suzanne David
Makeup Designer:
Nadia Stacey
Makeup Supervisor:
Carolyn Cousins
Music Editor:
Peter Clarke
Paul John Chandler
Novel:
Graham Swift
Online Editor:
William Chetwynd
Ben North
Original Music Composer:
Morgan Kibby
Post Production Accountant:
Tarn Harper
Producer:
Elizabeth Karlsen
Stephen Woolley
Production Accountant:
Ruby Avards
Production Coordinator:
Thomas Darby-Evans
Production Design:
Helen Scott
Production Manager:
Liza Carmel
Production Secretary:
Amy Gillies
Production Supervisor:
Joanne Dixon
Property Master:
Nick Walker
Prosthetic Makeup Artist:
Victoria Bancroft
Rigging Gaffer:
Thomas Royal
Screenplay:
Alice Birch
Script Supervisor:
Sharon Watt
Second Assistant Camera:
Amy Yeats
Second Assistant Director:
Freddie Hall
Set Decoration:
Hannah Spice
Sound Assistant:
Marek Forreiter
Sound Designer:
Robert Ireland
Sound Re-Recording Mixer:
Sven Taits
Standby Art Director:
Gaby Johnson
Still Photographer:
Robert Viglasky
Stunt Coordinator:
Elaine Ford
Tony Lucken
Rocky Taylor
Stunt Double:
Tracy Caudle
Supervising Art Director:
Adam Marshall
Supervising Sound Editor:
Lee Herrick
Third Assistant Director:
Mac Montero
Unit Manager:
Lauren Chambers
Unit Publicist:
Vicky Grayson
Soleil Zuanich
Visual Effects Coordinator:
Joni Andreou
Visual Effects Producer:
Bonita Nichols
Visual Effects Supervisor:
Luca Zappala
Wardrobe Master:
Sabrina Open
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.