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Then Barbara Met Alan (2022) [N/A]

Release Date:
March 21, 2022

Original Title:
Then Barbara Met Alan

Genres:
Drama

Production Companies:
Dragonfly Film and Television Productions
One Shoe Films

Production Countries:
United Kingdom

Ratings / Certifications:
FR: 12 

Runtime: 67

Overview from TheMovieDB

The untold disability civil-rights love story of two cabaret performers, Barbara and Alan, who met at a gig, fell in love, and became the driving force behind an unprecedented campaign of direct action that ultimately led to the passing of the 1995 Disability Discrimination Act.

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Trailer

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Performers

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Production

Action Director:
Adelaide Waldrop
Lucy Fennell

Art Department Assistant:
Natasha Guinness
Matilda Mascall

Art Direction:
James Cross
Timothy Robinson-Boulton

Assistant Location Manager:
Santiago Genochio

Best Boy Grip:
Angus Chinn

Boom Operator:
Danyaal Shah

Camera Operator:
Maiya Rose

Camera Trainee:
Bobby Gavigan
Taofeeq Taz Sanusi

Casting Director:
Daniel Edwards

Cinematography:
Susanne Salavati

Colorist:
Jamie Welsh
Scott Goulding

Commissioning Editor:
Emma Loach
Abigail Priddle
Clare Sillery

Costume Assistant:
Tom O’Dell
Molly Stapleton

Costume Design:
Natalie Humphries

Costume Standby:
Alice Cox Morton

Costume Supervisor:
Emily Bowen

Dialogue Coach:
Martin Mckellan

Dialogue Editor:
Lee Herrick

Digital Imaging Technician:
Martin Laskey
Chris Matthews

Digital Intermediate:
James Clarke

Director:
Bruce Goodison
Amit Sharma

Director of Photography:
Susanne Salavati

Dressing Prop:
Adam Mayor
Kevin Dee

Driver:
Kemal Drankai

Editor:
Christopher Watson

Electrician:
Simon Brown
Ashley Howe
Charles Mahoney
Christian Smith
Anthony Thomas

Executive Producer:
Richard Bond
Tom Pullen
Jack Thorne

First Assistant "A" Camera:
Nacho Guzman

First Assistant "B" Camera:
Sinan Yilmaz

First Assistant Director:
Rosalind Howes

Floor Runner:
Scott McAlinden
Jack Patience

Foley:
Mahoney Post

Gaffer:
Robert Gavigan

Graphic Designer:
Graeme Peacock

Grip:
Ed Livesey
Jack Macmanomy
Stefan Varbanov

Head of Production:
Alison Seymour

Key Grip:
Henry Fothergill

Legal Services:
Tom Calvert

Line Producer:
Justina Wright

Loader:
Anastasiya Cherkasyuk

Location Manager:
Matthew Lane

Makeup Designer:
Khandiz Towill

Makeup Supervisor:
Natalie Hill
Rachel Keane
Gemma Lowin

Medical Consultant:
Ben Bullivant Norris

Mix Technician:
Rob Hughes
Mark Langlay-Smith

Motion Capture Artist:
James Gillett
Charlie Paul
Lucy Paul

Music Director:
Patrick Holland

Music Supervisor:
Amelia Hartley

Musician:
Chaz Jankel

Online Editor:
William Chetwynd

Post Producer:
Beverley Horne

Post Production Supervisor:
Hannah Dunnell
Gabriele Fedaraviciute

Producer:
Bryony Arnold
Alex Cowan
Debbie Shuter

Production Accountant:
Heather Varley
Mark Bottino
Shane Murray

Production Assistant:
Lucy Abraham
Ellie Dunn
Holly Lubran

Production Coordinator:
Maya Tysoe

Production Design:
Gini Godwin

Production Manager:
Dejan Cancar
Laura Hodgson
Pauline Stone

Production Runner:
Max Bach
Ellis Cooper

Production Sound Mixer:
Keith Tunney

Property Master:
John Robson

Researcher:
Kate Elmer

Script Supervisor:
Elizabeth Benbow

Second Assistant "A" Camera:
Amber Turnstall

Second Assistant Director:
Bruno Tormos

Set Decoration:
Sasha Webster

Set Designer:
Sasha Webster

Songs:
Alan Holdsworth

Sound:
Mario Gennari
Ifé Ojo

Standby Property Master:
Stella Hadjidemetriou

Steadicam Operator:
Mike Vega
Rob Hart

Stunt Coordinator:
Paul Kennington

Thanks:
Tony Baldwinson
Baroness Jane Campbell
Sue Elsegood
David Hevey
Alan Holdsworth
Barbara Lisicki

Third Assistant Director:
Samuel Mines
Dylan Nicholson

Transportation Captain:
Andy Blackburn

Unit Manager:
Eli Pendlebury

Vehicles Coordinator:
Hugo Nicholson

Visual Effects:
Samuel Dore
Chris Warren

Visual Effects Editor:
Alastair Sirkett

Visual Effects Producer:
Yianni Papanicolaou

Writer:
Genevieve Barr
Jack Thorne

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.