A work in constant progress (and occasional regress).
Release Date:
February 8, 2013
Original Title:
I Give It a Year
Alternate Titles:
Casados... hasta que los amigos los separen
Dou-lhes Um Ano
davam tomu rok
一年之癢
一年期限
救婚365日
저스트 어 이어
Genres:
Comedy | Romance
Production Companies:
Anton Capital Entertainment
Canal+
Ciné+
LOVEFiLM International
Magnolia Pictures
Paradis Films
Starcrossed Films
StudioCanal
TF1 Films Production
Working Title Films
Production Countries:
France | United Kingdom | United States of America
Ratings / Certifications:
AU: M BG: C BR: 14 DE: 12 DK: A ES: 12 FR: U GB: 15 GR: Κ-12 IE: 15 KR: R NL: 12 PT: M/12 RU: 16+ SE: 15 US: R ZA: R
Runtime: 97
After a quick courtship, two lovers hastily decide to tie the knot. As their first year of marriage unfolds, temptation and incompatibility put their relationship in jeopardy.
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"B" Camera Operator:
Sam Renton
ADR Recordist:
Peter Gleaves
ADR Supervisor:
Dan Morgan
Actor's Assistant:
Matt Gossen
Animation:
David Bryan
Art Department Assistant:
Kevin Timon Hill
Art Direction:
James Wakefield
Assistant Accountant:
Ana Stichini
Assistant Location Manager:
Charlie Borradaile
Assistant Production Coordinator:
Nicholas Hatton
Jannika Öberg
Best Boy Electric:
Robert Gavigan
Boom Operator:
Chris Atkinson
Chinna Boapeah
CG Artist:
Oliver Cubbage
Sam Churchill
CG Supervisor:
Stefan Gerstheimer
Martin Chamney
Camera Trainee:
Jordan Halstead
Lawrence Beckwith
Casting:
Lucinda Syson
Casting Associate:
Kate Ringsell
Catering:
Guy Scott
Chef:
Chanell Scott
Alice Kerr
Jaz Starkey
Choreographer:
Litza Bixler
Clapper Loader:
Tommy Holman
Clearances Coordinator:
Clare Harwick
Co-Executive Producer:
Damon Beesley
Éric Heumann
Rodolphe Buet
Co-Producer:
Jane Hooks
Compositor:
Moti Biran
Matt Kasmir
Gavin Digby
Charlotte Larive
Adam Rowland
Riccardo Gambi
Simon-Pierre Puech
Conductor:
Andy Brown
Construction Buyer:
Brigitte Ward-Holmes
Construction Manager:
Malcolm Roberts
Costume Assistant:
Beth Collins
Joanna Roderick
Costume Designer:
Charlotte Walter
Costume Supervisor:
Hannah Walter
Dialogue Coach:
Neil Swain
Digital Conform Editor:
Gerard Loret
Theresa Crooks
Tim Drewett
Jamie Welsh
Michelle Cort
Tom Sugden
Digital Imaging Technician:
Nye Jones
Digital Intermediate Colorist:
Asa Shoul
Director:
Dan Mazer
Director of Photography:
Ben Davis
Dolby Consultant:
Peter Mendonca
Dressing Prop:
Andrew Wilson
Driver:
Julian Chapman
Glenn Charter
Fergus Cotter
John Horan
Jeff Hudson
Editor:
Tony Cranstoun
Electrician:
John Dimond
Timothy Neill
Andy Purdy
Jack Ridout
Lawrence Duffy
Paul Kemp
Epk Producer:
Pip Ayers
Executive In Charge Of Production:
Michelle Wright
Executive Producer:
Liza Chasin
Olivier Courson
Ron Halpern
Debra Hayward
Executive Producer's Assistant:
Daniel Emmerson
First Assistant "B" Camera:
Marc Atherfold
First Assistant Camera:
Olly Tellett
First Assistant Director:
Phil Booth
First Assistant Editor:
Andrew Melhuish
Floor Runner:
Marcia Clarke
James R. Kipping
Samantha-Jane Hunt
Laurie Mahon
Focus Puller:
David Cozens
Gaffer:
David Smith
Richard Oxley
Grip:
John Flemming
Gary Pocock
Jack Flemming
Pat Garrett
Phil Murray
Key Production Assistant:
Paul Hayes
Adrianna Nielle Davies
Location Assistant:
Sarah Kate Lewis
Alex Darby
Rebecca Davis
Location Manager:
Charlotte Wright
Location Scout:
Damon Crane
Philip Lobban
Stephen Parker
Makeup & Hair:
Agnes Legere
Nuria Mbomio
Chloe Meddings
Monica MacDonald
Music Consultant:
Kirsten Lane
Music Editor:
Peter Clarke
Music Producer:
Stephen McLaughlin
Music Supervisor:
Nick Angel
Musician:
Tim Wheeler
James Pickering
Ian Matthews
Chris Edwards
Ben Kealey
Orchestrator:
Daisy Chute
Original Music Composer:
Ilan Eshkeri
Post Production Accountant:
Tarn Harper
Post Production Supervisor:
Deborah Harding
Producer:
Kris Thykier
Tim Bevan
Eric Fellner
Producer's Assistant:
Chloe Dorigan
Victoria Endacott
Katherine Pomfret
Pip Williams
Production Accountant:
Neil Chaplin
Production Coordinator:
Jack Sidey
Jo Wallett
Production Design:
Simon Elliott
Production Executive:
Sarah-Jane Robinson
Production Sound Mixer:
Tim Barker
Production Supervisor:
Kate Fasulo
Property Master:
Tom Read
Researcher:
Lucy Whitton
Rigging Gaffer:
Sonny Burdis
Scenic Artist:
Russell Oxley
Scoring Mixer:
Stephen McLaughlin
Screenplay:
Dan Mazer
Script Supervisor:
San Davey
Lizzie Pritchard
Second Assistant "B" Camera:
Dora Krolikowska
Second Assistant Camera:
Jason Dully
Richard Jakes
Second Assistant Director:
James Manning
Second Unit Director of Photography:
Julian Morson
Second Unit First Assistant Director:
Tom White
Second Unit Location Manager:
Josh Yudkin
Security:
Andrew McLeod
Mark Pir
Dean Skinner
Neville Smith
John Barnes
Security Coordinator:
Christian de Vos
Set Decoration:
Rebecca Alleway
Set Decoration Buyer:
Nicola de Fresnes
Songs:
Jessie Ware
Sound Effects Editor:
Ben Meechan
Sound Re-Recording Mixer:
Martin Jensen
Special Effects Supervisor:
Neal Champion
Special Effects Technician:
Luke Corbyn
Stand In:
James R. Kipping
Samantha-Jane Hunt
Standby Art Director:
Lisa McDiarmid
Standby Carpenter:
Simon Sparsis
Standby Rigger:
Danny Webster
Kevin Welch
Still Photographer:
Liam Daniel
Charlie Gray
Storyboard Artist:
Temple Clark
Stunt Coordinator:
Tony Lucken
Stunts:
Sarah Lochlan
Mark Cass
Ben Dimmock
Stewart James
Guy List
Brian Nickels
Kelly Dent
Jamie Edgell
Derek Lea
Heather Phillips
Supervising Art Director:
Bill Crutcher
Supervising Carpenter:
Arthur Holland
Supervising Sound Editor:
Julian Slater
Thanks:
Jimmy Choo
Third Assistant Director:
Chris Foggin
Transportation Captain:
Barrie Williams
Unit Manager:
Chris Johnston
John Crampton
Unit Medic:
Anita Cording
Unit Production Manager:
Samantha Knox-Johnston
Unit Publicist:
Kate Lee
Vicky Grayson
Video Assist Operator:
Steve Petrie
Visual Effects Coordinator:
Lisa Kelly
Visual Effects Producer:
Kristopher Wright
Visual Effects Supervisor:
Paddy Eason
Wardrobe Assistant:
Emma Harding
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.