Peter Sarsgaard (b. 1971)

Alias:
John Peter Sarsgaard
피터 사스가드

Birthplace:
Belleville, Illinois, USA

Born:
March 7, 1971

John Peter Sarsgaard (born March 7, 1971) is an American actor. His first feature role was in Dead Man Walking in 1995. He then appeared in the 1998 independent films Another Day in Paradise and Desert Blue. That same year, Sarsgaard received a substantial role in The Man in the Iron Mask (1998), playing Raoul, the ill-fated son of Athos. Sarsgaard later achieved critical recognition when he was cast in Boys Don't Cry (1999) as John Lotter. He landed his first leading role in the 2001 film The Center of the World. The following year, he played supporting roles in Empire, The Salton Sea, and K-19: The Widowmaker.  For his portrayal of Charles Lane in Shattered Glass, Sarsgaard won the National Society of Film Critics Award for Best Supporting Actor and was nominated for the 2004 Golden Globe Award for Best Supporting Actor. Sarsgaard has appeared in an eclectic range of films, including the 2004 comedy-drama Garden State, the biographical film Kinsey (2004), the drama The Dying Gaul (2005), and big-budget films such as Flightplan (2005), Jarhead (2005), The Skeleton Key (2005), Orphan (2009), An Education (2009), Knight and Day (2010), Green Lantern (2011), Lovelace (2013), Kelly Reichardt's Night Moves (2013), Blue Jasmine (2013), Black Mass (2015), and The Magnificent Seven (2016). Sarsgaard also appeared in the American TV series The Killing (2013) as a man on death row perhaps wrongfully convicted for the brutal murder of his wife—a performance which he says included "some of the best acting I have ever done in my life." In 2021, he had a recurring role on the Hulu miniseries Dopesick.  Sarsgaard has appeared in Off-Broadway productions including Kingdom of Earth, Laura Dennis, Burn This, and Uncle Vanya. In September 2008, he made his Broadway debut as Boris Alexeyevich Trigorin in The Seagull. He is married to actress Maggie Gyllenhaal.

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Executive Producer:
2013  Lovelace
2020  Best Summer Ever
2024  Coup!

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.